Persian Rug Moud 250×175 cm Wool Silk Hand-knotted

Moud Persian Rug

Material and Craftsmanship

This Persian rug is hand-knotted and is described as having a pile made from wool with silk. The combination brings together wool’s firm, resilient character and silk’s finer, smoother presence. Within a pile, these materials can respond differently to light and viewing direction. The product description calls the rug very fine and gives a knot density of 300,000 knots per square metre. That detail describes the closely worked construction of the knot field.

The title describes a high pile, while the short description gives a pile height of approximately 8 mm. Both statements concern the pile structure. Hand-knotting means that the knots are inserted individually into the foundation rather than being produced as a printed or mechanically imitated surface. A fine knotting can support clear outlines, small repeating details and controlled transitions between pattern elements.

The stated weaving technique is hand-knotting. The material is listed as 100 percent wool with silk; the source does not provide a separate cotton-warp specification or identify another foundation material. The rug is also described as suitable for underfloor heating. This is a stated product feature. No additional technical performance or special care instruction is attached to that statement, so the description remains with the information supplied for this rug.

Origin and Tradition

The source uses two place names in different contexts. Moud appears in the title, while the short description calls the rug Tabriz 50 Mahi and identifies Tabriz as the original design. These references are kept separate. Moud is the designation used in the product title. Tabriz identifies the model and design reference found in the short description. No further claim about provenance is made from these two entries.

Persian rugs are made in many regional centres, each with inherited approaches to drawing, knotting, colour and composition. A place name can refer to a weaving centre, a commercial designation or a stylistic tradition. Tabriz is one of Iran’s established rug traditions and is associated with a long culture of design, production and trade. Tabriz compositions are often recognised for their controlled drawing, carefully articulated lines and wide vocabulary of floral and repeating motifs. This general background explains the Tabriz design reference without assigning an additional origin to this individual rug.

In the Tabriz tradition, designs may be prepared by experienced pattern designers before they reach the loom. A drawing can organise the field, borders and individual ornaments into a coordinated repeat. The weaver then translates that structure knot by knot. This process allows medallions, scrolling branches, leaves and border systems to be arranged with a high degree of visual order. Such control is useful when a design contains many small turns, enclosed shapes and repeated intervals.

Moud is also used as a regional designation within the Persian rug world. It should not be treated as interchangeable with Tabriz here, because the source places the two names in different parts of the product information. The product title uses Moud; the short description uses Tabriz 50 Mahi and names Tabriz as the original design. Presenting the entries in that form preserves the information without making an unsupported decision about the precise classification of the piece.

The tradition of Persian hand-knotted rugs rests on the interaction of fibre knowledge, inherited pattern language and sustained manual work. Wool is widely valued for a durable pile, while silk can contribute a smoother surface and sharper light response in finely worked designs. The visual balance between the two depends on the construction and on the way the surface is seen. For this rug, the source confirms the wool-and-silk material, fine knotting and hand-knotted technique, but it does not name a particular workshop or individual weaver.

Design and Pattern

The pattern is identified as classic Mahi. Mahi is a traditional Persian ornament term associated with a fish-like form. In rug design, the name is commonly used for a closely arranged repeat of small leaves, scrolling elements and curved motifs. These forms may be organised in rows or joined into an interlocking field. The result is a patterned surface in which numerous small details work together as an ordered overall structure.

Classic Mahi does not necessarily place one large central medallion at the centre of the composition. The field is often governed by a continuous ornamental repeat. Small leaf forms, curved branches and rosette-like details connect with one another, producing a consistent rhythm and a strong sense of pattern density. Mahi therefore describes the character of the repeat motif. It is not an additional statement of origin and does not replace the place references supplied in the product information.

The short description assigns the design to Tabriz. Tabriz drawing traditions can use Mahi ornaments in precise, finely divided compositions. A common design principle is the relationship between the central field and the enclosing borders. The field carries the repeating ornament, while the border system frames and completes the interior. When a pattern is closely detailed, the transitions between the main border, minor borders and field need to be drawn with particular consistency.

The source describes a light or beige field with a red border. This colour arrangement creates a clear distinction between the interior and its outer frame. Beige provides a restrained ground for the Mahi ornament, while red gives the border a visibly defined edge. No further individual colours or exact placement of the motifs are specified. For that reason, the description does not add other shades, a medallion or a particular border sequence.

A red border in Persian rug design can serve both decorative and structural purposes. It marks the passage from the main field to the outer edges and helps organise the eye’s movement around the composition. Some rugs use several nested frames, but the source does not state the exact number or arrangement here. The confirmed design features are the light or beige field, the red border and the classic Mahi pattern. Together they establish the rug’s documented visual language.

A high knot density generally helps a weaver render small ornaments with greater control. That relationship is especially relevant to a Mahi repeat, whose visual identity depends on many short contours, curved branches and narrow intervals. Fine execution can make changes in direction and the spaces between motifs easier to distinguish. This is general information about the connection between Mahi design and hand-knotting, not an addition of undocumented details to the rug’s drawing.

Special Features

The specifically stated features include hand-knotting, a very fine quality, a high pile and a wool-and-silk material combination. The source also names a light or beige field with a red border, a classic Mahi pattern and Tabriz as the original design. In practical terms, the rug is described as suitable for underfloor heating.

The condition is given as new with tag. It is therefore offered as new merchandise with its tag present. The source does not mention restoration, repair, wear or a special maintenance history. It also does not mention fringes, the reverse side or a signature. Those details are left out rather than supplied from general assumptions about hand-knotted rugs.

The combination of fine knotting, a wool-and-silk pile and the contrast between the light field and red border gives the documented description a clear structure. The Moud and Tabriz references remain in their respective contexts: Moud is used in the title, while Tabriz appears in the short description as the model and design reference. This distinction avoids turning a motif or design name into an unsupported additional provenance claim.

FAQ

Is this rug hand-knotted?

Yes. The source explicitly identifies the weaving technique as hand-knotted and gives a density of 300,000 knots per square metre. The pile is made from wool with silk, and the rug is described as very fine. The title calls it high pile, while the short description gives a pile height of approximately 8 mm.

What pattern does the rug have?

The pattern is listed as classic Mahi. The short description also calls it Tabriz 50 Mahi and identifies Tabriz as the original design. In Persian rug design, Mahi refers to a closely repeating ornament associated with a fish-like form. For this particular rug, the source specifies a light or beige field and a red border.

What is the condition of the rug?

The condition is stated as new with tag. The rug is additionally described as suitable for underfloor heating. No wear, repairs or restoration are mentioned in the source. The stated size is 250×175 cm; this belongs to the product data and does not indicate a different version of the rug.