



Persian Rug Mashhad 300 x 200 cm Wool Hand-knotted
€ 1077
Hand-knotted Maschhad Persian Rug | Knot density: 180,000 – 250,000 knots/m² | Material: Wool pile | Size: 300 x 200 cm | Pattern: Floral with classic medallion | Condition: Very good, hardly any wear
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Description
Maschhad Persian Rug
Material and Craftsmanship
This Maschhad Persian rug is hand-knotted and has a pile made from high-quality wool. Its making combines the natural pile material with a dense, carefully formed knot structure. In a hand-knotted rug, the design is created through the placement of individual knots rather than through a printed or mechanically applied surface. The pattern develops gradually as each part of the rug is worked by hand.
The knot density given for this rug ranges from 180,000 to 250,000 knots per square metre. This density supports the differentiated rendering of floral forms and a central medallion. Wool has long been used for oriental rug pile because it can be worked into a durable surface and accepts colour distinctly. For this piece, the relevant material and construction are its high-quality wool pile and hand-knotted technique. No additional warp material is specified.
Origin and Tradition
Maschhad is a city in eastern Iran with a recognised place in Persian rug culture. Maschhad rugs belong to the Iranian tradition of hand-knotted oriental rugs, a tradition in which floor coverings have also served as works of decorative craftsmanship. The name Maschhad identifies the regional origin of this rug; it does not merely describe an ornamental style borrowed from another place.
Persian rug making developed over many generations in cities and weaving areas across Iran. Each region formed preferences for colour, ornament and composition, while remaining part of a broader Persian craft culture. Maschhad represents a tradition in which careful handwork is combined with an ordered floral design. Producing a hand-knotted rug involves a sequence of skilled tasks: the foundation is prepared, knots are inserted, and the visual composition appears progressively across the growing surface.
Maschhad is one part of a wider Iranian rug landscape. Isfahan, Tabriz and Kashan also have their own established Persian rug traditions. Isfahan rugs are often associated with complex ornament and lively colour, while Tabriz designs may combine floral details with geometric elements. Kashan is likewise known for Persian rugs with developed decorative compositions. These regional distinctions show that Persian rug art is not a single uniform style, but a group of local traditions. This particular rug is identified as Maschhad.
The Maschhad tradition rests on the transmission of practical and design knowledge. Floral shapes, colour relationships and the placement of a medallion are connected through a visual vocabulary developed within Persian rug culture. Handwork also allows individual pieces to have their own execution while remaining recognisable within the regional tradition. Every hand-knotted rug is therefore an individual object, even when it follows familiar conventions of composition and ornament.
Regional rug traditions are also part of a broader history of Persian craftsmanship. The value of that history lies in the relationship between making and design: the pattern is not separate from the work required to produce it. Knot by knot, the weaver translates a planned decorative language into a textile surface. The result is a rug whose origin, technique and visual identity can be considered together without treating it as a mass-produced product.
Design and Pattern
The design of this rug is floral and includes a classic medallion. In Persian rug composition, a medallion serves as a visual centre. It organises the field and establishes a relationship between the middle of the design and the ornament around it. Floral elements extend that structure, giving the overall pattern a flowing decorative character.
Red is the ground colour. Blue and lilac tones are added to it, creating a clearly defined multicolour palette. The red field provides the visual base, while blue and lilac introduce contrast and further colour variation. This combination is associated with the appearance of classic Persian rug design. It can sit within a traditional interior or provide a structured decorative element in a more contemporary setting; neither use changes the rug’s origin or pattern classification.
A floral medallion design gains its effect from several elements working together. The central form gives the composition order, the floral motifs create movement, and the colour areas help distinguish the ornament. A higher knot density can support finer contours and smaller details in this type of design. The stated identity of this rug remains specific: a classic medallion, floral decoration, and a red ground accompanied by blue and lilac tones.
Persian rug patterns frequently draw on flowers, leaves, plant forms and curved lines. These motifs may be arranged around a centre or distributed across the field. In a medallion composition, the centre creates concentration, while the floral treatment carries much of the decorative expression. Maschhad rugs are therefore often discussed in connection with a combination of strong colour and developed ornament, although each individual rug has its own exact arrangement.
The colour and pattern make this rug suitable for different interior settings. In a living room, the medallion can act as a visual centre; in a bedroom or hallway, the floral decoration can provide a traditional accent. These are possible applications rather than additional properties of the rug. Its identifiable features remain the red ground, the blue and lilac tones, and the floral pattern with a classic medallion.
Special Features
This rug’s notable features are its hand-knotted construction, high-quality wool pile and stated high knot density. Together, these characteristics support the detailed appearance of the floral medallion design. The condition is very good, with hardly any wear. That describes the present condition without making an unsupported claim about the rug’s age or earlier use.
The red ground with blue and lilac tones gives the pattern a distinct colour structure. As a Maschhad Persian rug, the piece combines Iranian origin with a traditional floral composition. It is a one-off hand-knotted rug whose material, craftsmanship, design and condition should be considered as connected but separately identifiable characteristics.
FAQ
What distinguishes a Maschhad Persian rug?
Maschhad Persian rugs belong to the Persian rug tradition of Maschhad in eastern Iran. The example described here is defined by its hand-knotted construction, high-quality wool pile, high knot density and floral pattern with a classic medallion. Its red ground is complemented by blue and lilac tones. These features establish both its regional identity and its visual character.
How should I care for a Maschhad Persian rug?
Regular vacuuming helps remove loose dirt from the pile. The rug should be protected from direct sunlight so that its colours are treated gently over time. Spills and marks should be addressed promptly with a damp cloth and mild cleaning agent. For intensive cleaning, consulting a specialist is recommended, since a hand-knotted wool rug requires an appropriate cleaning method.
Where can I use a Maschhad Persian rug?
A Maschhad Persian rug can be used in a living room, bedroom or hallway. Its floral pattern with a classic medallion, together with the red ground and blue and lilac tones, works with traditional as well as modern interior styles. It can serve as a clearly defined design element while retaining the regional identity and hand-crafted character that describe the piece.
Additional information
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