Persian Rug Kashan 396 x 300 cm Wool Hand-knotted

Keshan Persian Rug

Material and Craftsmanship

This Persian rug is hand-knotted. The pile is specified as 100% wool, while the warp is made from 100% cotton. These two materials therefore have distinct roles in the construction: wool forms the visible and tactile surface, and cotton forms the warp structure running through the foundation. The combination of a wool pile and cotton warp is a traditional way of organising the materials in a hand-knotted rug.

Hand-knotting means that the pile is built knot by knot on a prepared foundation. The wool is worked into the pile, while the cotton warp provides the underlying longitudinal structure. This method is fundamentally different from machine production because the visible surface is created through a manual sequence of individual knots. No knot density is stated for this rug, so no figure for fineness is added.

The pile is described as normal. The product description also identifies the rug as environmentally friendly and child-friendly. It is suitable for use with underfloor heating. These are the stated properties of this particular piece and belong alongside the material and construction information. The listed pile and warp materials are clear, with no additional fibres being introduced into the description.

The condition is described as top and very clean. This characterises the offered rug itself. It does not make a general claim about every rug made in the Keshan tradition. Material, construction, pile description, suitability and condition together provide the specific information available for this one-off hand-knotted Persian rug.

Origin and Tradition

The rug comes from Iran and is identified as a Keshan Persian rug. Keshan, also commonly written as Kashan, is one of the recognised centres of Iran’s urban carpet tradition. The city stands within a historic cultural landscape of central Iran, where trade routes connected different communities and helped patterns, materials and techniques circulate. This setting contributed to the development of distinct local approaches to carpet design.

Iranian carpet making grew through many generations of accumulated knowledge. Rugs served practical purposes, but they also expressed regional design traditions and the skill of their makers. Workshop designs could be preserved, adapted and combined with changing preferences. In this context, Keshan represents an urban tradition associated with organised compositions, carefully planned ornament and a controlled approach to the production of the finished surface.

The making of an urban Persian rug begins with the loom and its warp. The warp threads are tensioned to create the foundation into which the knots will be inserted. The pile then develops row by row. After working a section, the structure is arranged and compacted so that the intended design can take shape. The hand-knotted character comes from this gradual process, in which the surface is assembled through many separate manual actions.

An origin name such as Keshan indicates a regional tradition rather than one fixed appearance shared by every rug. Keshan rugs can vary in layout, colour balance, scale and degree of ornament. Urban Iranian designs are often associated with a clear division between field and border, as well as with repeated floral structures. The specific rug presented here is identified by its oriental floral design, while further details of its exact layout are not stated.

Iranian rugs are often named after the place where a particular weaving tradition developed. Names such as Isfahan, Tabriz, Nain and Keshan can therefore point to different histories of design and workmanship. They should not be confused with pattern terms. For this rug, Iran is the country of origin, Keshan is the identifying place name, and the floral oriental design describes its visual character. Each of these terms supplies a different part of the description.

The history of Iranian carpet making also reflects the transmission of workshop knowledge. Drafts, colour practices and working methods were passed between generations, while individual makers adjusted them to local expectations and the intended format. As a result, established forms could continue without producing identical rugs. The Keshan tradition is best understood as a continuing body of urban craft knowledge with room for variation in individual pieces.

Hand-knotting links this regional history with the physical construction of the rug. A design is not printed onto a finished textile; it is built into the pile as the knots are placed. The method requires planning as well as sustained manual work. It allows a floral composition to be developed through repeated shapes, connected lines and carefully ordered areas. These are general features of the craft tradition and are not claims about unlisted details of this particular rug.

Design and Pattern

The pattern of this rug is described as oriental with a floral design. Flowers therefore provide the central stated theme of its appearance. A floral composition may bring together blossoms, leaves and curling stems within an organised arrangement. In Iranian urban carpet design, these elements are commonly placed in relation to a field and surrounding borders, creating a visual structure rather than a random distribution of isolated motifs.

Keshan’s design history is closely associated with floral ornament. Flowers can be represented in a recognisable way or reduced to more stylised forms. Vines connect separate elements, while leaves establish direction and rhythm across the surface. Repetition creates continuity, and small variations prevent the design from becoming a simple mechanical duplicate. This background explains the regional design language without assigning any additional motif to the rug beyond the stated floral pattern.

Oriental rug designs often rely on a hierarchy of scale. A central field may be framed by one or more borders, and the borders may contain smaller repeated ornaments. Floral forms can occupy both the principal field and the transitions around it. Whether this specific rug has a medallion, an all-over arrangement or a particular border sequence is not specified. Those details are therefore left open rather than presented as facts.

The visual effect of a floral rug depends on more than the individual flowers. Spacing, repetition, direction and the way stems connect the motifs all influence how the surface is read. In a hand-knotted rug, the design is translated into textile form through successive rows of knots. The technique gives the pattern a physical surface and allows contours to be established through the arrangement of the pile.

The word “oriental” describes the stated pattern category here; it is not an additional origin claim. The origin is Iran, and Keshan identifies the relevant Iranian tradition. The floral design is a visual characteristic and should not be mistaken for the name of another province. Separating place names from motif descriptions is important because a pattern can circulate beyond the region whose name may be associated with it.

Floral rugs can work with a range of interior settings because their ornament can be read as both structured and decorative. Traditional floral forms may sit alongside classic furnishings, while a more restrained room can give the textile pattern visual prominence. This is general context about the use of floral rugs, not a claim about a particular colour scheme in this piece. The source does not specify its colours, so none are added here.

The hand-knotted surface gives the design a textile quality that differs from a flat printed image. Each row contributes to the definition of flowers, leaves and connecting forms. The exact effect still depends on the details of the actual colour and drawing, which are not fully described. What can be stated precisely is that this Iranian Keshan rug is hand-knotted and carries an oriental floral design.

Special Features

The listed special features are its hand-knotted construction, its 100% wool pile and its 100% cotton warp. The pile is normal. The rug is also described as environmentally friendly and child-friendly, and it is suitable for underfloor heating. These points summarise the specific properties given for the piece without adding technical ratings, care instructions or performance claims that are not stated.

The condition is given as top and very clean. This is a description of the offered one-off rug. No age, signature, repair history, restoration, wear pattern or knot count is provided. Those details are consequently not inferred. The identifiable combination remains the Iranian origin, the Keshan designation, the hand-knotted wool-and-cotton construction, the normal pile, the floral oriental pattern and the stated clean condition.

FAQ

How is this Keshan Persian rug made?

It is hand-knotted. Individual knots are inserted into a prepared warp structure, gradually creating the pile. The pile is 100% wool and the warp is 100% cotton. The description does not provide a knot density, so no numerical statement about the fineness of the knotting is made.

What materials does the rug contain?

The pile is made from 100% wool and the warp from 100% cotton. The pile height is described as normal. The rug is additionally identified as environmentally friendly and child-friendly and is suitable for underfloor heating. No other fibres or material percentages are specified.

What is the condition of the Persian rug?

The condition is described as top and very clean. This statement applies to the individual rug offered here. No information is given about its age, repairs, restoration, wear, signature or knot density. The stated features are its clean top condition, hand-knotted construction and oriental floral design.