




Persian Rug Kashan 156 x 100 cm Wool Hand-knotted
€ 817
Hand-knotted Keshan Persian Rug | Knot density: 150.000 – 300.000 knots/m² | Material: pile sheep wool, warp cotton | Size: 156 x 100 cm | Pattern: Floral and geometric motifs | Condition: Very good
1 available
- ✓Free Shipping in EU
- ✓2-5 Business Days Delivery
- ✓14-Day Return Policy
- ✓Worldwide Shipping on request
SECURE PAYMENT
SHIPPING PARTNERSInventory number: E07692AE
Description
Keshan Persian Rug
Material and Craftsmanship
This Keshan Persian rug is hand-knotted with a pile made from high-quality sheep wool and a cotton warp. Sheep wool is traditionally used for Persian rugs because it combines resilience with a soft, comfortable handle. It forms a durable pile suited to regular use while retaining the tactile character associated with hand-knotted textiles. Cotton provides the warp foundation on which the knots are built and gives the construction an orderly, stable structure during the making process.
The rug has a knot density of 150.000 to 300.000 knots per square metre. A dense knot structure allows a weaver to render small details, narrow outlines and elaborate ornamental relationships with precision. In hand-knotting, each knot is placed individually around the prepared warp and secured with weft passages as the rows progress. The surface therefore develops gradually rather than being printed or mechanically formed. Consistent tension, accurate counting and practiced handling are needed to keep both the construction and the pattern under control.
Keshan rugs are traditionally associated with a relatively short pile. A shorter pile can make the drawing appear more distinct and can simplify everyday vacuuming. Combined with sheep wool, it creates a surface that is both practical and pleasant to the touch. This rug is described as being in very good condition. Its wool pile, cotton warp, hand-knotted construction and stated density define the specific workmanship presented here.
Origin and Tradition
The rug originates from Persia and belongs to the Keshan tradition. Keshan is a city in the heart of Persia and has given its name to an important group of Persian rugs. The name identifies a regional weaving tradition shaped by controlled compositions, detailed ornament and carefully balanced colour. It therefore refers to a place-based character rather than simply to a decorative pattern used in another weaving centre.
Weaving in Keshan developed through knowledge maintained by workshops and families of weavers. This knowledge includes preparing the warp, arranging the rows, selecting and handling wool, coordinating colours and transferring a design into knots. Hand production makes each stage part of the finished textile. Unlike an industrial surface, the pile is built knot by knot, and the density and placement of those knots influence both the clarity of the design and the firmness of the rug.
Keshan is part of the wider Persian rug culture, in which weaving centres are distinguished by their local design languages and technical habits. Isfahan, Tabriz and Qum, for example, are also associated with established Persian traditions, but each has its own conventions of drawing and composition. Keshan is recognised for a structured decorative approach and for the importance of floral ornament. The shared use of manual knotting and related natural materials does not make these regional traditions identical.
The high knot density associated with Keshan is closely connected to its detailed visual language. It is a technical feature as well as a means of carrying a design into the textile. Small blossoms, leaves, scrolling lines and geometric accents require a carefully organised foundation if their outlines are to remain legible. The weaver must therefore combine knowledge of materials with the ability to read, repeat and adjust the pattern throughout the work.
Historically, Keshan rugs have served both practical and artistic purposes. Their importance comes from the relationship between use, regional identity and inherited craft. Older Keshan rugs are often considered by collectors and specialists, but age alone does not determine their significance. Condition, workmanship, design, materials and the preservation of the colours all have to be considered separately. These principles explain why Keshan remains identifiable as a distinct Persian rug tradition.
Design and Pattern
The pattern of this rug includes floral and geometric motifs. In Persian rug design, these two types of element can work together within one ordered composition. Plant forms provide organic movement, while lines, repeated shapes or symmetrical arrangements introduce structure. Keshan designs commonly make use of this balance between naturalistic suggestions and controlled ornament. The stated knot density supports the precise execution of small details without changing the fact that the design is a hand-knotted textile.
The colour tradition associated with Keshan ranges from deep red and blue to elegant beige. These tones can be combined to establish relationships between a central field, surrounding borders and individual ornaments. Deep red may create a warm visual base, blue can introduce a cooler counterpoint and beige can connect or lighten adjoining areas. This describes the established Keshan palette and the colours named for the rug; it does not assign an unrecorded colour to any particular field or border.
Floral ornament may include blossoms, leaves, vines and stylised plant forms. Within Persian carpet art, such motifs are generally ornamental signs rather than literal botanical illustrations. They may be repeated, mirrored or arranged around a central axis. Geometric details bring sharper contours and measured rhythm to the softer plant forms. The resulting design can reveal layers of organisation: an overall impression from a distance and smaller floral, linear and colour relationships when viewed closely.
Many Keshan compositions use a border to frame the central field and to establish a transition between the main design and the outer finish. Narrower secondary borders may accompany it. Such framing is part of the broader design vocabulary and helps a detailed pattern read as a coherent whole. In a hand-knotted rug, every contour and repetition is built from individual knots, so the final surface has a woven depth that differs from a printed image.
The Keshan design tradition brings together decorative repetition and close attention to detail. A recurring ornament may appear as a unified field from across a room, while its individual leaves, flowers, lines and colour changes become visible at closer range. This layered reading is common in Persian rug design. It results from the interaction of the original drawing, the selected colours and the weaver’s ability to translate both into a dense field of knots.
Special Features
The defining features of this rug are its Persian Keshan origin, hand-knotted technique, high-quality sheep-wool pile and cotton warp. Its knot density of 150.000 to 300.000 knots per square metre provides the technical basis for detailed pattern work. The rug is also described as being in very good condition. Floral and geometric motifs, together with the traditional range of deep red, blue and beige, connect the material construction with the visual language of the region.
Sheep wool, cotton and dense knotting work together to shape the character of the rug. The wool supplies a resilient, soft pile, while cotton forms the warp that supports the structure. When assessing a Keshan rug, these specific qualities should be distinguished from broad statements about age, rarity or collectability. This piece is described by its named origin, materials, technique, pattern, knot density and very good condition.
FAQ
What distinguishes a Keshan Persian rug?
A Keshan Persian rug is identified through its Persian origin, its regional design tradition and its hand-knotting technique. Typical Keshan work combines a clearly organised composition with floral and geometric motifs and a colour vocabulary that can include deep red, blue and beige. Keshan rugs may have a knot density between 150.000 and 300.000 knots per square metre, allowing fine outlines and complex ornamental sequences to be represented. This rug also has a pile of high-quality sheep wool and a cotton warp. Sheep wool is valued for its durability and soft feel. The classification therefore rests on the relationship between origin, material, construction, density and pattern rather than on appearance alone.
How should a Keshan Persian rug be cared for?
For regular care, vacuum the surface gently so that dust and loose dirt do not remain in the pile. If a spill occurs, dab the affected area with a damp cloth rather than rubbing it. Rubbing can put unnecessary stress on the fibres, pile and colour appearance. Liquid should not be worked deeply into the rug. For a more extensive wash, professional cleaning is recommended because the treatment should take account of the wool pile, cotton warp, hand-knotted construction and colours. A hand-knotted Keshan is a textile object rather than a mass-produced floor covering, so careful handling is appropriate. Regular, restrained maintenance helps preserve the surface and keeps the pattern legible without subjecting the rug to aggressive treatment.
Can a Keshan Persian rug be considered an investment?
Keshan Persian rugs are appreciated by collectors and enthusiasts for their hand craftsmanship, regional history and quality of execution. Under certain circumstances, an individual rug may increase in value over time. Any assessment has to consider several factors separately, including genuine origin, age, condition, knot density, material quality, design and demand for that particular piece. A Keshan rug does not automatically become more valuable simply because it carries the name of the region. Older examples are assessed individually, since wear, restoration and the preservation of the colours can substantially affect their position. This rug is described as being in very good condition and has the stated characteristics of Keshan workmanship. Those details describe the piece, but they do not constitute a binding investment forecast.
Additional information
| Design Style | |
|---|---|
| Color | |
| Size | |
| Shape | |
| Origin | |
| Knot Density | |
| Material |











