






Persian Rug Isfahan 108 x 72 cm Wool Hand-knotted
€ 1422
Hand-knotted Isfahan Persian Rug | Knot density: 850,000 knots/m² | Material: pile 95% virgin wool, 5% silk | Size: 108 x 72 cm | Pattern: Oriental | Condition: Very good, unused
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Description
Isfahan Persian Rug
Material and Craftsmanship
This Isfahan Persian rug is hand-knotted with a pile made of 95% virgin wool and 5% silk. The two fibres give the surface its particular textile character and combine a natural wool feel with the finer touch associated with silk. Virgin wool is traditionally valued in Persian rug making for its resilient and flexible fibres. Silk is used for its smooth hand and refined surface quality. Here, the two materials are worked together in the pile.
Hand-knotting means that each individual knot is placed by hand into the prepared rug structure. The weaver builds the textile row by row, transferring the design into the surface through the placement and colour of the knots. This rug has a stated density of 850,000 knots per square metre. Knot density refers to the number of individual knots within the area and indicates a finely worked knotted structure.
The combination of wool and silk creates a textile surface with different tactile qualities. Wool contributes its characteristic handle and natural resilience, while silk is known for a smoother and finer feel. The hand-knotted construction makes the rug an example of traditional rug craftsmanship rather than a machine-made floor covering. Its material composition and method of making are central to its character as a Persian rug.
Origin and Tradition
Isfahan is one of the important centres of Persian rug culture. The Iranian city is known for its historic architecture, public spaces and long-established arts and crafts. Rug making forms part of this wider cultural tradition. Isfahan is therefore associated with a developed design language in which textile ornament, architecture, miniature painting and decorative arts have influenced one another.
A decisive period in the history of Isfahan art came during the Safavid era. Courtly arts were supported during this time, and many forms that later came to be regarded as classically Persian were refined. Workshops placed emphasis on balanced compositions, carefully controlled proportions and precise drawing. The connection between an organised design and its detailed execution remains an important part of the way Isfahan rugs are understood.
The regional tradition is not defined by one single ornament. It rests on the relationship between the drawing, the colour arrangement and the knotting technique. Isfahan rugs are often associated with fine lines and carefully articulated details. Floral forms, medallions, scrolling vines and symmetrical divisions belong to the historical vocabulary of Persian rug design. Geometric accents may appear alongside softly curved plant forms, creating contrast within an ordered composition.
Persian rugs have long served as practical textiles as well as carriers of cultural design. Patterns were developed over generations, preserved in workshops and adapted for different interiors and commissions. Handwork allows a drawn design to be translated into the woven surface step by step. An Isfahan rug consequently brings together regional knowledge, inherited pattern systems and the individual work of the people who knot it.
Design and Pattern
The pattern of this rug is described as Oriental, and its style as traditionally Persian and Oriental. It belongs to the broad ornamental vocabulary associated with Persian rugs. Such designs often use a structured central field, repeated vines, floral forms and a defined border. These components may be used separately or combined. Their purpose is to give the surface continuity and visual order rather than to leave the ornament as a collection of unrelated details.
The floral designs and geometric forms associated with Isfahan rugs rely on different kinds of line. Leaves and blossoms provide organic, flowing shapes, while geometric elements contribute rhythm, repetition and orientation. Persian design traditions frequently bring these two approaches together. The result can be richly detailed while remaining clearly organised across the field and border.
Traditional rug compositions are generally arranged according to relationships between the main field and its surrounding elements. A central motif may be accompanied by vines, secondary forms or balanced side sections. Borders frame the inner field and guide the eye around the rug. In an Oriental pattern, the visual effect comes from the proportion between the principal design, the intervening spaces and the border. Careful knotting helps keep contours and transitions legible.
Isfahan designs are often considered adaptable in interiors because their ornamental order can work with both traditional furnishings and more restrained contemporary settings. The rug nevertheless remains recognisably Persian in its textile language. The combination of floral suggestions and geometric structure creates movement without losing organisation. It allows the rug to function as a floor covering while also being read as an independent textile element within a room.
Special Features
The rug is in very good, unused condition. Its hand-knotted construction, pile of virgin wool and silk, and Oriental pattern are the defining features of this one-off piece. Its stated thickness is approximately 8 mm. The rug is also suitable for rooms with underfloor heating.
For everyday care, regular vacuuming without a rotating brush attachment is recommended so that the fibres are treated gently. Direct sunlight should be avoided in order to reduce the risk of uneven fading. Blot spills promptly with a damp cloth rather than rubbing the affected area. If more extensive cleaning is needed, a professional rug-cleaning service is the appropriate option.
FAQ
What is the best way to care for my Isfahan rug?
Vacuum the rug regularly without using a brush attachment. This removes loose dust and dirt while placing less stress on the fibres. Keep the rug away from direct sunlight where possible, as this helps the colours remain more even. Any spill should be blotted immediately with a damp cloth. For heavier soiling or a more thorough treatment, use a professional rug-cleaning service.
Where can I buy an Isfahan rug?
Isfahan rugs are available from specialist rug dealers, auction houses and online platforms that focus on Oriental rugs. When choosing a seller, look for a clear description of the individual piece, including its origin, material, knotting technique and condition. A trustworthy supplier presents the relevant characteristics openly and distinguishes the specific rug from general information about the Isfahan tradition.
Can this rug be used with underfloor heating?
Yes, this Isfahan rug is suitable for use in rooms with underfloor heating. Natural wool can take up warmth and retain it within the textile structure. The heating temperature should nevertheless not be set unnecessarily high, so that the fibres are treated gently. Even heat and suitable routine care support the long-term preservation of the rug.
Additional information
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