Persian Rug Iran 353 x 250 cm Wool Hand-knotted

Iran Persian Rug

Material and Craftsmanship

This Persian rug is hand-knotted and made from 100% wool and 100% cotton. Its construction is built knot by knot rather than produced as an identical industrial series. The result is a single textile piece with its own drawing and surface character. The product description identifies the workmanship as high quality, referring to the careful execution of the knotting as well as to the finished textile structure.

Wool has been used in rug making for generations because it can be spun into durable yarn and formed into a hard-wearing pile. It also has a naturally tactile surface and accepts colour in a distinctive way. Cotton is another established textile material in rug production and can provide a firm woven foundation. Both materials are specified for this rug: wool and cotton together form the material basis of its hand-knotted construction.

The pile height of this rug is 10 mm. This gives the surface a clearly perceptible textile relief while allowing the medallion design to remain legible. In a hand-knotted rug, yarn, knotting, shearing and finishing all contribute to the final feel of the pile. The stated high-quality workmanship therefore concerns more than the fibre itself; it also describes the care visible in the way the rug has been made.

Origin and Tradition

The rug comes from Iran and is described as a Persian rug. Persian carpet making is one of the long-established traditions of Oriental textile art. Its history is connected with household textiles, formal interiors and the transmission of patterns through workshops and generations. Knitters work within inherited design systems, yet each individual rug develops its own proportions, rhythm and details through the hands of the people who make it.

Hand knotting is a method in which individual knots are tied into a prepared textile structure. The work advances row by row until the field and borders are complete. The character of the finished rug depends on the yarn, the knotting method, the tools, the maker’s experience and the planned design. Unlike a printed decoration, the pattern is created directly through the arrangement of coloured knots. Minor variations in line, spacing and colour are part of the nature of a handmade textile.

Iranian rugs are associated with a wide range of regional traditions. Isfahan is known in carpet history for finely worked detail and lively colour effects. Tabriz is associated with sturdy structures and established designs. Kerman and Nain are also widely regarded for carefully drawn patterns and high knot density. These place names refer to distinct regional styles and production traditions. For this particular rug, the stated origin is Iran; no more specific Iranian province or city is identified.

Persian rugs have developed from regional household and ceremonial textiles into internationally recognised forms of textile art. Workshops preserve established design languages while individual makers vary the scale, colour balance and ornament within those traditions. This creates a relationship between continuity and individual execution. The Vintage designation describes the character of this offering as an older or vintage-styled piece, but no particular year of manufacture is given.

The Iranian rug tradition also includes several different textile techniques. Kilims are flat-woven and therefore differ fundamentally from a hand-knotted rug with a raised pile. In a knotted rug, the surface is created from many separate knots and has a tactile relief. These are distinct methods with their own visual and technical properties. The present rug belongs to the knotted branch of Persian carpet making because it is specifically described as hand-knotted.

Design and Pattern

The pattern of this rug is identified as a medallion. A medallion normally creates a deliberate centre within the overall composition. It may be circular, oval, polygonal or built from several nested forms. The central element is often set within a field and surrounded by a border that frames the design. The exact shape of the medallion, the secondary motifs and the detailed colour arrangement are not specified for this individual rug.

The medallion concept is one of the established design systems found in Persian rugs. A central emblem organises the surface, while surrounding ornament creates a visual relationship between the field and the outer frame. Floral scrolls, leaves, stylised blossoms, geometric details and fine connecting lines may appear in medallion compositions across the tradition. These are general features of Persian design vocabulary, not additional claims about motifs present on this particular rug.

A medallion draws attention toward the middle and gives the rectangular surface a clear internal order. The border has a framing function, separating the field from the outer edge and helping the composition retain its structure. In a hand-knotted example, this order is not simply printed onto the surface. It is built through the sequence of coloured yarns and knots, so the making technique becomes part of the visual language.

The rug is described as green, and this colour impression forms an important part of its appearance. In Persian design, green can be connected with botanical imagery, gardens and a calm treatment of broad areas. The way a colour appears may vary with yarn, dye, light and the passage of time. The documented description establishes the green colouring and medallion pattern; it does not identify additional shades or individual ornaments.

The rectangular shape is a familiar format for residential and room rugs. It provides a balanced surface for a central design and an enclosing border. Taken together, the rectangular form, medallion arrangement, green colouring and Vintage style place this piece within the visual language of traditional Persian interior textiles. Its handmade construction remains part of that appearance, since the texture and definition of the design arise from the knotting itself.

Special Features

This rug is offered as a Vintage Persian rug from Iran. It is hand-knotted, has a medallion pattern and is described as green. Its condition is recorded as top condition and perfectly preserved. The pile height is 10 mm. It is suitable for all rooms, including rooms with underfloor heating. The rectangular form allows it to be used in a range of residential settings.

Gentle, regular care is appropriate for a hand-knotted rug. Vacuuming removes loose surface dirt from the pile. Fresh spots should be dabbed with a damp cloth rather than rubbed forcefully, which can work dirt further into the fibres. A deeper wash is best entrusted to a professional rug cleaner familiar with wool, cotton and hand-knotted structures. Strong direct sunlight can alter colours over time, so a location protected from intense sun helps preserve the rug’s appearance.

FAQ

How can you recognise a genuine Persian rug?

A hand-knotted construction is an important indication. On the reverse of a hand-knotted rug, the pattern can often be seen through the knot structure rather than appearing as a separate printed layer. The materials may provide further information: this rug is specified as wool and cotton. High knot density and careful workmanship can also point to traditional hand production. A final assessment of authenticity should be made by a qualified rug specialist who can inspect the construction directly.

What is the correct way to clean a Persian rug?

Regular vacuuming is suitable for routine care. Fresh stains should be gently blotted with a damp cloth, without vigorous rubbing or excessive wetting. For a complete cleaning, professional rug cleaning is recommended. A specialist can take the properties of wool, cotton, the pile and the dyes into account and choose a method appropriate for a hand-knotted textile. Household cleaning products should not be used without first checking that they are suitable for the fibres and colours.

How should a Persian rug be cared for over time?

Keeping the rug away from strong direct sunlight helps reduce unnecessary fading. Turning or repositioning it at suitable intervals can distribute use more evenly. Areas with heavy foot traffic may place greater stress on the pile, so the location should be chosen with that in mind. A rug-protection product may be used when needed, provided it is suitable for wool, cotton and hand-knotted rugs. For specialist maintenance, a professional cleaner can advise on the appropriate treatment for the textile.