Persian Rug Hamadan 137 x 78 cm Wool Hand-knotted

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Hand-knotted Hamadan Persian Rug | Knot density: 100.000 – 350.000 knots/m² | Material: Pile durable wool | Size: 137 x 78 cm | Pattern: Varied designs | Condition: Very well preserved

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Description

Hamadan Persian Rug

Material and Craftsmanship

This Persian rug from Hamadan is hand-knotted and made with durable wool. In hand-knotting, each knot is inserted individually into the foundation. The surface is therefore built gradually through the precise interaction of knots, warp and weft. Such work requires experience, controlled tension and a clear understanding of the pattern sequence being created.

Wool has long been used in oriental rugs because it combines resilience with a pleasant handle. Depending on how it is prepared and worked, wool can form a firm, hard-wearing surface while retaining a comfortable feel underfoot. For this rug, wool is the stated pile material. Its hand-knotted construction and durable wool are characteristic of a rug made for practical use as well as visual presence.

Origin and Tradition

This rug comes from Hamadan in north-western Persia. Hamadan refers not only to the city itself but also to a broad carpet-producing area with many established weaving centres. The surrounding tradition includes places such as Assadabad, Khamseh, Maslaghan, Enjelas, Nahawand, Tuyserkan and Mousel. Because these centres developed their own working habits, Hamadan rugs cannot be reduced to one rigid appearance.

Carpet making in the region grew through generations of practical knowledge. Weavers worked with inherited compositions, local conventions and pattern drawings, adapting them as the rug took shape. Differences could appear in the treatment of borders, medallions, field arrangements, flowers and scrolling forms. The result is a broad family of rugs connected by their regional origin, yet varied in detail and visual structure.

Hamadan is regarded as one of the most productive areas of Persian carpet manufacture. Its importance is linked to the relationship between the city, villages and smaller workshops in the surrounding region. Rugs were made for different rooms and uses, so the tradition developed both functional and decorative solutions. Some arrangements are strongly geometric, while others use softer floral elements. The shared regional identity therefore includes considerable freedom in composition.

The making of a hand-knotted rug begins with the foundation. Coloured pile yarn is tied knot by knot along the warp, and weft threads help secure the rows as the work progresses. The pattern is built in stages rather than applied afterward to a finished surface. This process is slower than mechanical production, but it permits the many local interpretations associated with Hamadan. The region represents a varied Persian knotting tradition rather than a single unchanging design.

Regional production also reflects the practical organisation of weaving knowledge. A pattern may be understood through repeated motifs and established proportions, while the execution depends on the individual workshop and the person tying the knots. Borders give the field a visual boundary, and the central arrangement provides a framework for the composition. These principles help explain how rugs from the same broad area can remain recognisably related while differing in their details.

Design and Pattern

Hamadan rugs are known for a wide range of designs. The vocabulary includes geometric patterns as well as floral motifs. Geometric compositions may rely on diamonds, angular lines, stepped forms and repeated units. Floral compositions may include flowers, leaves, vines or stylised plant shapes. In Persian rug design, these elements are generally organised into a textile language rather than copied as literal botanical illustrations.

The relationship between field and border is central to many oriental rug compositions. The field carries the principal arrangement, while the border frames it and creates a controlled transition toward the edge. In a geometric design, rhythm comes from repetition, symmetry and the measured sequence of shapes. In a floral design, vines and blossoms can lead the eye across the field. These principles describe the design tradition without assigning one particular motif to every Hamadan rug.

Hamadan designs often use lively colours. Colour can separate the border from the field, make a medallion more distinct or bring individual motifs forward from the ground. Contrasts between stronger and quieter areas influence how clearly the pattern can be read. In this tradition, colour and drawing work together: colour supports the structure, while the structure gives the colour an ordered role within the composition.

The name Hamadan therefore identifies a regional design environment rather than a mandatory single pattern. Not every rug from the area has the same medallion, floral form or colour arrangement. The coexistence of geometric and floral possibilities is part of the region’s characteristic breadth. This particular rug is described as having varied designs, so its description combines the named Hamadan origin with the wider pattern diversity associated with the area.

Because the motifs are tied into the pile, the pattern develops at the same time as the rug itself. A weaver translates a larger design into small, repeated working steps, allowing lines, colours and shapes to emerge row by row. Hand-knotting can preserve the logic of a pattern while also retaining the visible character of manual work. The finished design is read as a relationship of field, border, colour and motif rather than as a separate printed image.

Special Features

The stated features of this rug are its hand-knotted construction, its pile of durable wool, its varied designs and its very well-preserved condition. Care is relatively straightforward. Regular vacuuming without a beater or brush attachment helps remove loose dirt while reducing unnecessary stress on the wool surface.

Occasional airing and beating outdoors can supplement routine care. For persistent stains or a more thorough refresh, a professional rug cleaner should be consulted. Specialist cleaning takes the hand-knotted construction and the wool material into account. This approach allows the surface to be treated carefully while respecting the existing pattern and colour character.

FAQ

How can I assess the quality of a Hamadan rug?

The quality of a Hamadan rug is assessed through factors such as knot density, material and the precision of the pattern. A higher knot density can support more finely drawn details, while the material provides information about handle and durability. The accuracy of geometric or floral forms is also relevant. This rug is described as hand-knotted, made with durable wool and having a knot density of 100.000 to 350.000 knots per square metre.

Can Hamadan Persian rugs be used over underfloor heating?

Hamadan Persian rugs can generally be used over underfloor heating. Wool provides useful thermal insulation and has a comfortable feel. The specific room should still be considered, including the heating output, the floor surface and the way the rug is laid. It should rest flat and securely so that heat can circulate evenly and the rug does not develop disruptive folds.

What is the best way to care for a Hamadan rug?

For routine care, vacuum the rug without a brush attachment. This removes loose dirt while avoiding unnecessary abrasion from a rotating brush. The rug may also be beaten outdoors from time to time. If a stubborn stain occurs, a professional rug cleaner is the appropriate choice, as the hand-knotted construction and wool pile can then be treated with suitable methods.

Additional information
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