Persian Rug Gabbeh 146 x 92 cm Wool Hand-knotted

 621

Hand-knotted Gabbeh Persian Rug | Knot density: 50.000 – 150.000 knots/m² | Material: Pile in hand-spun sheep and goat wool | Size: 146 x 92 cm | Pattern: Abstract designs with large colour fields and figures from the animal and plant world | Condition: Very soft and ideal for children’s rooms

1 available

  • Free Shipping in EU
  • 2-5 Business Days Delivery
  • 14-Day Return Policy
  • Worldwide Shipping on request
Secure Payment SECURE PAYMENT
Shipping Partners SHIPPING PARTNERS

Inventory number: BF9A9E57

Description

Gabbeh Persian Rug

Material and Craftsmanship

This Gabbeh is hand-knotted and has a soft pile. The material is identified as hand-spun sheep and goat wool. The wool gives the surface its natural tactile character and forms an important part of the rug’s appearance. The detailed description also refers to the wool as virgin wool. In this way, the piece combines the traditional work of hand knotting with a natural fibre and a soft surface.

With hand knotting, each knot is inserted individually into the structure of the rug. The result is not a completely uniform industrial product, but a one-off shaped by traditional manual work. This rug has a knot density of 50.000 – 150.000 knots/m². In Gabbeh weaving, a dense construction is associated with a compact and durable surface. The soft pile nevertheless remains central to the character of this particular piece.

Gabbeh rugs are known for a dense and robust structure. The detailed text describes the wool as insulating, hard-wearing and easy to care for. It also points to the natural range of colours found in wool and to the possibility of using coloured plant substances for dyeing. The pattern specified for this rug consists of abstract designs, large colour fields and figures from the animal and plant world. Its making follows traditional methods passed down through generations of Iranian craft.

Origin and Tradition

This rug comes from Iran and is attributed to the Ghashghai nomads of Fars. Fars is one of the regions most closely associated with Gabbeh rugs. The rural areas of Iran and the nomadic way of life form the cultural setting in which this rug type developed. Weaving in that setting is more than a practical activity: it is also a way of placing observations, experience and inherited ideas into a textile design.

Gabbeh rugs have been made and preserved as a tradition by nomadic tribes for centuries. Their role as floor coverings therefore exists alongside their role as expressions of everyday life and art. A Gabbeh can be understood as both a useful object and a visible sign of an established design tradition. Its motifs are often connected with nature, surroundings and the lives of the people who make it rather than being limited to a purely decorative scheme.

Among the Ghashghai of Fars, textile work belongs to the cultural environment of nomadic life. Awareness of the landscape, mobility and inherited forms all contribute to the visual language of Gabbeh rugs. Each rug remains an individual work because handmade knotting, colour choices and the placement of motifs are not repeated with the complete uniformity of an industrial series. Tradition is therefore present both in the technique and in the direct, restrained character of the design.

The colours and patterns of Gabbeh rugs are often read as reflections of nature, daily life and the surrounding environment. Animal and plant figures have a particular connection with the experience of nomadic communities. The detailed description also places Gabbeh rugs among symbolic objects that could serve as status markers within their communities. This cultural context explains why they are considered textile art as well as practical floor coverings.

The association with Fars gives the rug a clear place within the history of Iranian tribal weaving. It does not mean that every Gabbeh uses one fixed composition or one unchanging palette. Instead, the tradition allows variation within a recognisable approach: broad areas of colour, simplified forms and imagery drawn from the natural world. The Ghashghai origin named for this rug places its design within that wider relationship between landscape, movement and hand-made textile culture.

Design and Pattern

The pattern of this Gabbeh is described as abstract. Large colour fields are combined with figures from the animal and plant world. The design therefore joins a clear, simplified visual language with motifs rooted in nature and in the surroundings of the Ghashghai. Broad areas create visual calm, while the individual figures draw attention to symbolic and recognisable elements.

Gabbeh designs are often understood as abstract and geometric. Their order may come from simple lines, fields and repeated shapes without requiring a densely filled ornamental surface. This reduced arrangement allows each colour area to remain legible. The result can feel contemporary while retaining its traditional basis: the inherited visual language is still present, but the open composition can also be read easily in a modern interior.

The description associates Gabbeh rugs with earthy reds, gentle beige and brown shades, and deep blues and greens. These colours relate to the natural environment and to the stated use of natural colours and coloured plant substances. On this rug, large colour fields are explicitly part of the pattern. They organise the surface and provide a calm setting for the figures taken from the animal and plant world.

Gabbeh motifs often have a direct and easily understood presence. Animals, plants and other symbolic elements are not necessarily rendered naturalistically; they may be translated into individual, simplified forms. This is a key distinction from highly ornamented rug designs. The composition works through a small number of clear signs and through the relationship between area, colour and figure. In that way, the design remains connected to Fars while allowing a restrained and modern reading.

The combination of natural imagery and abstract colour fields supports more than one interpretation. It can refer to landscape and nomadic life without depicting one single, fixed scene. The rug thus represents a textile tradition in which use, symbolism and personal handwork meet. The specified animal and plant figures preserve the connection with the origin, while the large fields give the composition a clear and balanced structure.

Special Features

The notable features of this Gabbeh include its soft pile, hand-knotted construction and surface made from hand-spun sheep and goat wool. The pile is up to 2.5 cm high. The description characterises the rug as very soft and ideal for children’s rooms. This softness is presented alongside the dense, robust structure generally associated with Gabbeh rugs.

The rug can be used with different interior styles. The description names both a rustic country-house style and a minimalist modern setting. Abstract designs, large colour fields and natural shades allow this range of uses. Its soft texture is described as adding comfort. For care, regular vacuuming is recommended, while stains can be treated with suitable rug cleaners or addressed through professional cleaning.

The detailed description mentions light signs of use that are normal for hand-knotted rugs and do not detract from the overall impression. The piece is therefore described through both its soft feel and its suitability for use, while retaining the visible history associated with handmade production. As a hand-knotted rug, this Gabbeh is one of a kind.

FAQ

How should I care for my Gabbeh rug?

Regular vacuuming removes dirt and dust from the pile. For stains, use a suitable rug cleaner. Professional cleaning is another option when the wool and colours require particularly careful treatment. Strong or unsuitable cleaning products can affect the fibres and the appearance of the colours. Care should therefore take the wool and hand-knotted construction into account. Consistent, appropriate cleaning helps preserve the soft pile and the well-kept appearance of the Gabbeh.

Where do Gabbeh rugs come from?

Gabbeh rugs mainly come from rural areas of Iran and are especially associated with nomadic tribes. This rug is attributed to the Ghashghai nomads of Fars. Fars is known for Gabbeh rugs whose patterns reflect nature, animals, plants and nomadic life. The origin describes more than a geographical area: it also identifies a longstanding craft tradition. Hand knotting, natural imagery and the combination of practical use with symbolic design belong to this cultural background.

Can Gabbeh rugs be used in modern interiors?

Yes. Gabbeh rugs are associated both with rustic country-house interiors and with minimalist modern rooms. Their abstract designs, large colour fields and figures from the animal and plant world give them a distinct and clearly structured appearance. At the same time, the earthy reds, soft beiges and browns, and deep blues and greens mentioned in the description can support a calm interior scheme. The combination of traditional origin, reduced forms and a soft pile makes this rug suitable for welcoming rooms with either traditional or modern styling.

Additional information
}) }) }) }) } }) } })