





Persian Rug Fars Shuli 151 x 101 cm Wool Hand-knotted
€ 720
Hand-knotted Fars Persian rug | Knot density: 90,000 – 180,000 knots/m² | Material: pile virgin wool | Size: 151 x 101 cm | Pattern: Unusual, imaginative designs | Condition: New/excellent
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Description
Fars Persian Rug
Material and Craftsmanship
This Gabbeh Shuli Persian rug is made from high-quality virgin wool and is hand-knotted. The virgin wool forms the pile, giving the surface a soft and pleasant feel underfoot. It is also described as hard-wearing. The result is a rug intended to combine the tactile qualities of wool with the character of a traditionally made textile floor covering.
The stated knot density is 90,000 to 180,000 knots per square metre. This density allows imaginative designs to be worked with recognisable detail. It also contributes to a sturdy construction and long-lasting use. Because the rug is made by hand, each piece is described as unique. Individual variations therefore belong to the character of a handmade Gabbeh rather than indicating a uniform, factory-produced surface.
The colours specified for this rug are red, beige, grey and brown. Together they establish its stated colour palette. The condition is given as new or excellent. No information about a particular warp material or a separate structural fibre is provided, so the material description is limited to the virgin-wool pile.
Origin and Tradition
This rug comes from the Fars region of southern Persia. Fars is one of Iran’s recognised carpet-producing regions and has a varied weaving heritage. Different forms of carpet developed there in connection with local ways of life, available materials and inherited working methods. Gabbeh represents a distinctive branch of this Persian carpet culture, with a visual language that differs from more formal carpet designs.
Gabbeh rugs are often associated with nomadic tribes in Fars. Their appearance reflects a handmade tradition rather than an industrial system based on exact repetition. The weaver can allow room for personal interpretation, choosing how geometric shapes, figures and references to nature are arranged. This freedom is central to the tradition and helps explain why Gabbeh rugs can vary considerably from one another.
Here, Shuli identifies the Gabbeh variant named in the source description. Together with the Fars origin, it places the rug within a specific regional and cultural context without suggesting that every Shuli piece follows one identical design. The individual execution remains important. Each rug is described as a one-off, allowing the knotted textile to carry its own arrangement of colour and motif.
Hand production in Fars relies on the experience and judgement of the weaver. Wool, colour and pattern are brought together through a process in which the decorative idea is translated into knots. Shiraz workshops are also named among the well-known carpet makers of the region and are internationally recognised for their carpets. This rug is identified as a Persian Gabbeh from Fars, not as the product of a specifically named Shiraz workshop.
Design and Pattern
The pattern is described as unusual and imaginative. Its listed colours are red, beige, grey and brown. These colours may function as broad fields or contrasting accents within a freely arranged composition, but the source does not specify their exact distribution on this particular rug. It is therefore the overall imaginative character of the design, rather than an unconfirmed layout, that defines the description.
Gabbeh Shuli designs may include geometric forms, stylised animals and images drawn from nature. Such motifs are not necessarily rendered as realistic illustrations. They are simplified into a textile vocabulary of lines, shapes and symbolic figures. This reduction gives the motifs their own visual order. The source specifically emphasises freely created designs and an unconventional, imaginative quality.
The pattern tradition is connected with the nomadic lifestyles associated with parts of Fars. Impressions of the surrounding landscape, animals, memories and elements of nature can be transformed into stylised woven imagery. There is no single fixed motif chart that must be repeated without change. The creativity of the weaver remains an important part of the design process and helps make each piece distinct.
Related Gabbeh rugs from Fars share many of these characteristics but are often described as somewhat simpler in their designs. The Shuli form named here is instead characterised by unusual and imaginative patterns. In Persian carpet culture, a hand-knotted Gabbeh can therefore be both a practical floor covering and a textile artwork. Its visual effect develops through the relationship between wool, colour, knotting and the freedom of the motif arrangement.
Red supplies a clear colour presence, while beige, grey and brown extend the palette with quieter, earthy tones. This is a description of the colours recorded for the rug; it does not establish the presence of a particular border, medallion or repeated field design. No such specific layout is stated. The documented identity remains the Gabbeh Shuli character, the Fars origin and the unusual, imaginative pattern language.
Special Features
The combination of high-quality virgin wool, hand-knotting and Gabbeh Shuli design is a defining feature of this rug. It is described as a one-off. A knot density of 90,000 to 180,000 knots per square metre supports the detailed execution and the sturdy construction. The pile is also described as soft and comfortable underfoot.
The condition is new or excellent. Red, beige, grey and brown, together with the unusual imaginative designs, give the rug its documented appearance. As a Persian rug from Fars, it connects a regional tradition with an individual approach to pattern. Regular vacuuming is recommended for care. Stains should be dabbed immediately with a damp cloth, and professional cleaning is advised to help preserve the colours and quality.
FAQ
How should I care for this Gabbeh Shuli rug?
Regular vacuuming helps remove dust and dirt from the rug. If a stain occurs, dab it promptly with a damp cloth so that it does not penetrate further into the fibres. The recommended approach is to blot rather than scrub the affected area. Professional cleaning is advised when a deeper treatment is needed, helping to maintain the colours and quality of the virgin-wool pile. Any professional service should be familiar with hand-knotted wool rugs.
What makes Gabbeh Shuli rugs distinctive?
Gabbeh Shuli rugs are associated with the Fars region and its tradition of hand-knotted carpet making. Their designs can be freely composed, imaginative and unconventional, incorporating geometric forms as well as stylised animals and nature motifs. This rug also combines high-quality virgin wool with a knot density of 90,000 to 180,000 knots per square metre and the colours red, beige, grey and brown. Each piece is described as unique and reflects the creativity of its weaver.
Which rooms suit this rug best?
A Gabbeh Shuli rug is suitable for living rooms, bedrooms and hallways. Its colours and imaginative designs can add warmth and character to an interior and make the rug a central visual element. The described hard-wearing virgin wool and sturdy construction are compatible with everyday use. The most suitable placement depends on the room layout and on how prominently the individual pattern is intended to appear within the interior.
Additional information
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