









Persian Rug Fars 230 x 159 cm Wool Hand-knotted
€ 2015
Hand-knotted Fars Persian Rug | Knot density: 150,000 – 220,000 knots/m² | Material: hand-spun sheep and goat wool | Size: 230 x 159 cm | Pattern: abstract patterns with large colour fields and playful figures | Condition: New
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Description
Fars Persian Rug
Material and Craftsmanship
This Gabbeh-Loribaft is a hand-knotted Persian rug from the Fars region. It is made from hand-spun sheep and goat wool. Spinning the yarn by hand gives it a distinctive structure that is not completely uniform. The resulting surface retains the natural character of the wool and has a tactile quality of its own. The combination of sheep wool and goat wool is one of the defining material features of this rug.
The Loribaft construction represents a finer knotting technique within the Gabbeh tradition. Closely placed knots allow smaller design elements to be rendered more clearly than in a more loosely knotted Gabbeh. This rug has a knot density of 150,000 to 220,000 knots per square metre. Its pile is shorter, creating a relatively compact surface with a soft handle and a lighter feel than a comparable rug with a higher pile.
The wool is dyed with natural dyes from the region. This method links the preparation of the yarn with a colour process that produces lively tones and a distinctive texture. Hand-spinning, dyeing and knotting together define the way this Gabbeh-Loribaft is made. Its dense knotting is also associated with the hard-wearing quality described for this type of rug.
Origin and Tradition
The rug comes from Ghashghai in Fars, a region of Iran. The Ghashghai are known for making rugs and produce Gabbeh-Loribaft within a nomadic craft tradition. In this tradition, practical textile work, locally prepared wool and an individual visual language are closely connected. The rug expresses this origin through the combination of hand-spun yarn, dense knotting and a deliberately clear design.
Gabbeh rugs are associated with the weaving and knotting culture of the Ghashghai in Fars. Their appearance differs from the highly ordered compositions of courtly carpets: the forms are more direct and simplified. Broad colour areas and individual figures can stand out clearly instead of being absorbed into a finely distributed overall ornament. This approach keeps the handmade quality visible and gives the motifs an independent, narrative character.
Gabbeh-Loribaft describes a finer expression of the Gabbeh tradition. The denser knotting permits more differentiated drawing and creates a firmer surface. At the same time, the rug remains connected to the robust, soft-looking Gabbeh carpets of Fars. The shorter pile changes the visual and tactile impression, making the surface appear more compact while supporting the clear reading of colour fields and figures.
Traditional Qashqai rugs are also known in the wider region. They often use strong colours and geometric patterns, creating a relationship with the craftsmanship and colour presence of Gabbeh-Loribaft without making their designs identical. The different rugs of Fars represent a varied regional textile culture in which distinct patterns, materials and constructions have developed.
Fars is one of Iran’s recognised carpet regions. Other Iranian centres such as Tabriz and Kashan are associated with more opulent patterns and luxurious materials. The Gabbeh-Loribaft follows a different design and craft direction. Its character comes from hand-spun wool, close knotting, a shorter pile and a reduced, playful visual language.
Design and Pattern
The design is abstract and combines large colour fields with playful figures. The stated motifs include animals and plants. They are not rendered as naturalistic illustrations but as simplified, self-contained forms within a free composition. Abstraction allows individual figures and fields to remain distinct and gives the pattern a direct visual structure.
Large colour fields are central to the rug’s appearance. They create quiet areas against which the figurative motifs can be seen. The result is not a completely uniform all-over pattern, but a composition of colour, open space and individual signs. The playful figures lend the rug an informal quality, while the dense Loribaft knotting helps keep their outlines legible.
Animal and plant motifs belong to a long tradition of simplified rug imagery. In nomadic design, forms are often condensed until they function as signs rather than realistic depictions. In this Gabbeh-Loribaft, those motifs meet a modern abstraction. The pattern therefore combines geometric fields with freer figures without being governed by a strictly symmetrical ornamental arrangement.
The combination of abstract patterning and broad colour areas makes the rug suitable for different interior styles. Next to modern furniture, its imagery can act as an independent textile structure; in a more traditional setting, it can sit alongside other established furnishings. This versatility comes from the design itself and does not alter the rug’s origin or its craft characteristics. Its Fars provenance remains part of the Gabbeh-Loribaft tradition.
The soft surface and warm-looking colour arrangement reinforce the domestic character of the design. Gabbeh-Loribaft rugs are especially used in children’s rooms because of their soft pile. Living rooms and bedrooms are also named as suitable settings. The abstract animal and plant figures can be read as playful and child-friendly, while the design is not limited to one particular room.
Special Features
The special features of this rug are its hand-spun sheep and goat wool, its use of natural dyes from the region and its fine Loribaft knotting technique. The abstract composition with large colour fields and playful animal and plant figures is another defining characteristic. Together, these elements distinguish the rug from a coarser Gabbeh and shape both its surface and its visual effect.
The shorter pile feels soft and makes the rug particularly suitable for a children’s room. Its dense knotting is associated with durability and long service even under intensive use. The natural materials are also described as hypoallergenic and as contributing to improved indoor air quality. For everyday care, regular vacuuming and occasional beating are recommended. A spill should be dabbed immediately with a damp cloth; mild cleaning agents may be used.
The condition of this one-off rug is new. As a hand-knotted Gabbeh-Loribaft from Ghashghai in Fars, it combines regional origin with a clear abstract pattern world and a finer knotting technique. These stated characteristics place it within the tradition of Persian rugs from Fars while retaining an individual design identity.
FAQ
What makes the Gabbeh-Loribaft distinctive?
Its distinctive qualities are the fine Loribaft knotting technique, the use of hand-spun sheep and goat wool and the colouring with natural dyes from the region. The abstract design adds large colour fields and playful animal and plant figures. Dense knotting supports a hard-wearing surface, while the shorter pile remains soft. The rug therefore combines an individual visual identity with the craft characteristics of the Gabbeh tradition in Fars.
How should I care for a Gabbeh-Loribaft?
Regular vacuuming and occasional beating are suitable for routine care. These steps remove dust and loose dirt from the surface. If a stain occurs, dab the area immediately with a damp cloth. Mild cleaning agents may be used. Avoid rubbing the affected area, as this can place unnecessary stress on the soft wool surface and the knotted design.
Where can a Gabbeh-Loribaft be used?
The rug can be used in living rooms and bedrooms and is also suitable for a children’s room. Its soft pile, dense hard-wearing construction and easy-care character support use in that setting. The abstract fields and playful figures work with modern as well as traditional interiors. Its use is therefore not restricted to one specific area of the home.
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