Persian Rug Fars 182 x 107 cm Wool Hand-knotted

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Hand-knotted Fars Persian rug | Knot density: 90,000 – 180,000 knots/m² | Material: Pile glossy virgin wool | Size: 182 x 107 cm | Pattern: Unusual, imaginative designs | Condition: New

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Inventory number: 38042200

Description

Fars Persian Rug

Material and Craftsmanship

This Gabbeh-Shuli rug is hand-knotted with a pile made from glossy virgin wool. The choice of virgin wool gives the surface a pleasant handle and forms an important part of the rug’s practical character. Wool is used in Gabbeh rugs for the combination of comfort and resilience it provides. Its soft pile suits living spaces as well as rooms where a warm textile floor covering is wanted.

The rug has a knot density of 90,000 to 180,000 knots per square metre. Such density reflects careful workmanship and allows the design to be worked into the surface with definition. In hand-knotting, every knot is made individually rather than being produced through an industrial repeat process. The result is a one-off textile surface whose pattern has its own character and whose construction records the work of the maker.

Virgin wool is valued in Gabbeh rugs for more than its pleasant feel. It is also regarded as hard-wearing, dirt-repellent and easy to care for. A wool pile can contribute to insulation and support a balanced indoor climate. These qualities make the rug suitable for everyday household use. Its construction combines a traditional hand process with a material associated with comfort and lasting utility.

Origin and Tradition

The rug comes from the Fars region in southern Persia. Fars is one of the important landscapes in Persian rug culture and lies near Shiraz. The region is associated with several nomadic and local weaving traditions. Gabbeh rugs from Fars represent a distinct branch of this handmade heritage, with designs shaped strongly by the creative work of the people who make them.

Gabbeh is a rug type traditionally linked with direct, clearly readable compositions. Its purpose is not necessarily to reproduce the formal repetition of a courtly or classical carpet. Instead, the design can express an idea through a relatively open arrangement of forms and colours. Within this tradition, Gabbeh-Shuli rugs allow imaginative and unconventional interpretations while retaining the connection to regional handcraft.

The Fars weaving landscape includes more than one visual language. Gabbeh-Fars rugs are known alongside Shiraz rugs, which are associated with geometric designs. Gabbeh-Shuli occupies a freer position within this regional context and may use more abstract or individually interpreted motifs. Fars therefore identifies both a place of origin and a broader textile tradition in which inherited knowledge meets personal design.

Persian rugs from different regions vary in their construction, ornament and cultural references. Kerman and Tabriz rugs, for example, are also known for detailed designs and high knot densities, while Fars has a particularly strong association with the varied Gabbeh tradition. These distinctions show the range covered by the term Persian rug. This particular rug belongs to the Fars tradition and is made as a Gabbeh-Shuli.

Making a hand-knotted rug requires patience and a controlled relationship between knots, rows and areas of colour. With freer Gabbeh patterns, the maker also works without relying solely on a rigid template. Ideas are translated into a textile surface while the basic principles of regional craftsmanship remain present. Gabbeh therefore connects the history of Persian rug making with a form of design that can remain personal, direct and easy to recognise.

Design and Pattern

The pattern of this rug is described as unusual and imaginative. Gabbeh-Shuli rugs are known for creative designs that can move away from the strict, regularly repeated geometry associated with some other rug traditions. Abstract shapes, unexpected arrangements and an open division of the field all belong to the design vocabulary of this type. Each hand-knotted piece has its own composition.

The motifs can be understood as an expression of the maker. Personal imagination and the cultural heritage of the region meet in the design. A Gabbeh composition does not have to look like an exact copy of a fixed model. The craft process leaves room for a direct, pictorial or abstract idea. This produces rugs based on a clear overall impression while still allowing individual details to emerge.

Gabbeh-Shuli rugs often use lively colours. Red, beige, grey and brown are among the colour directions commonly associated with these designs and can be combined in balanced ways. Together they may create a warm, quiet or contrasting effect. The exact distribution of colour is part of each rug’s individual design and should be considered as a feature of the particular hand-knotted piece.

The imaginative quality of the pattern has a distinctive relationship with Gabbeh simplicity. A field can remain easy to read while individual shapes or colour blocks carry much of the visual identity. This balance of reduced order and free invention separates Gabbeh-Shuli from rugs whose effect depends mainly on dense, finely repeated ornament. The design need not tell a linear story, but it can invite associations and allow more than one interpretation.

The high knot density supports a careful rendering of the pattern. It allows contours, transitions and smaller design elements to be worked into the pile with precision. Even so, the character of Gabbeh is not defined by density alone. Material, colour areas and the underlying idea work together, with hand-knotting providing the technical foundation. Craft and imaginative design are inseparable parts of the result.

As a Persian rug from Fars, the design belongs to a regional tradition without being limited to one prescribed motif. Gabbeh-Shuli can accommodate abstract forms, pictorial suggestions and unusually interpreted elements. Its appearance remains rooted in handcraft while staying open to personal expression. In this way, the rug joins its Fars origin with a pattern language that is deliberately less conventional.

Special Features

The notable features of this new rug are its hand-knotted construction, glossy virgin-wool pile, high stated knot density and unusual, imaginative designs. The virgin wool gives the surface a pleasant feel and supports the rug’s durability. Its dirt-repellent and easy-care qualities are useful in a household setting.

The rug can be used in different parts of a home, including a living room, hallway or bedroom. Its textile surface adds warmth to a room and can contribute to insulation. As a Gabbeh-Shuli from Fars, it combines a Persian weaving tradition with a freer approach to pattern. The condition is new.

Everyday care can remain straightforward. Regular vacuuming removes loose particles before they settle into the pile. Fresh marks should be treated immediately with a damp cloth. For more thorough care, occasional professional cleaning can be appropriate. These measures help keep the wool surface in good condition while respecting the material’s natural character.

FAQ

What makes the Gabbeh-Shuli rug distinctive?

It brings together hand-knotting, glossy virgin wool, a high knot density and imaginative pattern design. The composition is not restricted to a strictly regular ornamental system, so creative and unconventional forms can be part of its visual language. At the same time, the wool provides a pleasant handle and a resilient, easy-care surface. Its origin in Fars places the rug within the Persian Gabbeh tradition.

How should I care for my Gabbeh-Shuli rug?

Vacuum the rug regularly so that loose dust and particles do not remain in the pile. Treat fresh stains as soon as possible with a damp cloth, working carefully rather than applying unnecessary force to the surface. Occasional professional cleaning can be used for more extensive care. The natural qualities of virgin wool make the rug manageable in everyday use when it is maintained consistently.

What sizes are Gabbeh-Shuli rugs available in?

Gabbeh-Shuli rugs are made in a range of sizes, allowing them to be used in different rooms and with different furnishing arrangements. Smaller formats may serve as runners, while larger rugs can be placed in living areas. The selection therefore extends from compact pieces to broad floor coverings. This rug is a single hand-knotted piece with its own design and is offered in the format specified for it.

Additional information
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