




Persian Rug Fars 180 x 82 cm Virgin Wool Hand-knotted
€ 728
Hand-knotted Fars Persian Rug | Knot density: 90.000 – 180.000 knots/m² | Material: Virgin wool pile | Size: 180 x 82 cm | Pattern: Unusual imaginative designs | Condition: New
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Description
Fars Persian Rug
Material and Craftsmanship
This Gabbeh – Shuli rug is made with a pile of glossy virgin wool and is hand-knotted. Virgin wool gives the surface a soft, pleasant feel while also contributing to the rug’s stated longevity. In a hand-knotted rug, the pattern is built through many individual knots. The resulting surface has a textile structure that keeps the work of the maker visible and distinguishes it from a mechanically repeated product.
The knot density of this rug is specified as 90.000 to 180.000 knots per square metre. Such density supports careful execution and allows imaginative motifs to be worked into the field with definition. Each knot is placed individually within the construction. The result is a one-off piece shaped by manual work, with its own particular expression.
Virgin wool is a traditional material in rug making. Its natural character combines a comfortable handle with a resilient fibre structure. The glossy pile can show slight changes in appearance according to the direction of the pile and the available light. In this Gabbeh – Shuli, that material quality is joined to a dense, hand-worked surface.
Hand production also influences the appearance of the design. Minor variations in knotting are part of a hand-knotted rug and make the craftsmanship legible. The combination of virgin wool, manual construction and the specified knot density forms the technical basis of this rug.
Origin and Tradition
The rug comes from the Fars region of Persia. Fars is known for a rich rug-making tradition and represents a close relationship between skilled production and individual design within Persian carpet culture. Gabbeh is one of the rug forms in which the creative contribution of the weaver plays an important part. In a Gabbeh – Shuli, inherited knowledge is combined with imaginative ideas rather than being confined to one rigid decorative formula.
Rugs from Fars have been made by weavers who often come from nomadic backgrounds. This context helps explain the direct and individual character associated with many Gabbeh designs. Patterns can grow from the weaver’s imagination while incorporating personal impressions and cultural traditions. The rug therefore becomes an expression of craft identity, without being restricted to a single fixed pattern system.
Persian carpet making rests on skills passed from one generation to the next. These include handling wool, preparing the material, placing the knots and organising a balanced surface. In a hand-knotted rug, this knowledge is combined with individual choices of colour and motif. Making a rug is therefore both a technical process and a creative act.
Fars is associated with more than Gabbeh alone. Shiraz rugs and Kerman rugs are also named among the rug types connected with the wider area. They likewise represent a strong use of colour and artistic patterning. Their individual designs differ, but they share an association with the Persian tradition of handmade rugs. Gabbeh – Shuli occupies its own place within this setting because its imaginative designs make the free creative approach especially apparent.
The Fars origin identifies the regional and cultural context of this rug’s production. It is not simply a label for an unrelated decorative style. Fars, Persian rug tradition and the Gabbeh – Shuli designation form a connected description here. Hand-knotting preserves the link with established techniques while leaving room for the personal visual language of the weaver.
Design and Pattern
The design of this Gabbeh – Shuli rug is described as unusual and imaginative. It therefore creates an independent visual accent rather than following a purely functional or restrained approach. The patterns reveal the creative side of the knotting process. Each motif results from the relationship between imagination, manual execution and the colour arrangement chosen for the rug.
The colour variations include red, beige, grey and brown. Red can provide a strong presence within such a palette, while beige and brown introduce a warm, earthy direction. Grey adds a quieter neutral tone. This describes the stated colour range without assigning one rigid colour layout to the individual rug. Its character comes from the combination of these tones with the imaginative designs.
Gabbeh patterns are often associated with direct, expressive forms. Their effect is created not only by individual motifs but also by the relationship between field, colour and outline. In a Gabbeh – Shuli, the weaver’s imagination can become visible through unusual combinations. The pattern is therefore best understood as an individual and culturally grounded form of design.
The palette of red, beige, grey and brown allows different kinds of contrast. A stronger colour may stand out against a more neutral area, while neighbouring beige and brown tones can bring the overall composition together. Grey may soften transitions or separate individual design elements. The precise distribution of the colours belongs to the individual execution of this hand-knotted one-off.
The name Gabbeh – Shuli links the rug type with its particular design direction. It identifies a hand-knotted work with an imaginative pattern concept, not a printed or mass-repeated decoration. At the same time, the design remains connected with the Fars tradition. Regional rug culture, Persian colour sensibility and the weaver’s individual decisions meet in the finished surface.
As a furnishing textile, a rug of this kind can serve several decorative purposes. It can act as a focal point in a living room, add an accent to a bedroom or become a considered element in a hallway. These uses follow from its decorative character and warm colour range. The rug remains an independent design feature whose pattern and colours contribute to the atmosphere of its setting.
Special Features
The defining features of this rug are its origin, material, handwork and design. It comes from Fars in Persia, is hand-knotted and has a pile made from glossy virgin wool. Its knot density is given as 90.000 to 180.000 knots per square metre. The unusual, imaginative designs and the colours red, beige, grey and brown complete the stated description.
The rug is described as new. Its individual appearance results from hand-knotting and from the creative design decisions of the weavers. This gives the Gabbeh – Shuli its own character. The combination of soft virgin wool, a densely worked surface and varied colouring defines its particular material and visual quality.
The Gabbeh – Shuli name points to a specific expression within Persian rug tradition. The rug joins that tradition to a decorative and imaginative pattern language. Its character can therefore be described through the facts of its Fars origin, wool pile, hand-knotted construction, new condition and distinctive design, without adding features that are not part of its description.
FAQ
What makes the Gabbeh – Shuli rug special?
Its unusual, imaginative designs, hand-knotted construction and glossy virgin-wool pile are its central features. The colour variations in red, beige, grey and brown provide the stated palette. Because the weavers bring their creativity and cultural traditions into the design, each rug is a one-off. Its origin in Fars, Persia, places this individual pattern within a long-established Persian rug-making context.
How should I care for a Gabbeh – Shuli rug?
The rug should be vacuumed regularly as part of normal care. If a stain occurs, it is advisable to treat it immediately with a damp cloth. For more demanding cleaning, professional cleaning is recommended so that the colours and structure can be preserved. Appropriate professional treatment takes the virgin wool and hand-knotted construction into account. This careful routine helps support the rug’s longevity.
What sizes are Gabbeh – Shuli rugs available in?
Gabbeh – Shuli rugs are available in a range of formats. The selection includes small runners as well as larger rugs that can serve as central elements in living spaces. Different formats make it possible to choose a rug for different rooms and individual requirements. This particular one-off is offered in its own stated format; in general, Gabbeh – Shuli rugs are made available in several sizes for different furnishing situations.
Additional information
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