





Persian Rug Fars 150 x 99 cm Wool Hand-knotted
€ 799
Hand-knotted Fars Persian rug | Knot density: 90,000 – 180,000 knots/m² | Material: wool pile | Size: 150 x 99 cm | Pattern: Free, imaginative designs | Condition: New
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Description
Fars Persian Rug
Material and Craftsmanship
This Gabbeh Shuli is a hand-knotted Persian rug made with wool. Its pile uses high-quality virgin wool, a material known for its natural softness and warmth. It also has a reputation for durability, making it suitable for a rug intended for continued use in a living environment. The wool gives the surface a distinct textile character while keeping the material practical for everyday care.
The rug is produced through an elaborate hand-knotting process. Each piece is made as an individual work rather than as an identical industrial product. This Gabbeh Shuli has a knot density ranging from 90,000 to 180,000 knots per square metre. Such density supports the detailed execution of its freely designed motifs and is also associated with the rug’s robust durability.
Virgin wool brings several useful qualities to the rug. It is soft to the touch, naturally warm, and described as dirt-repellent as well as easy to maintain. Regular vacuuming is sufficient for routine care, while occasional beating can help preserve the colours and quality. More substantial soiling can be handled through professional rug cleaning.
Origin and Tradition
The Gabbeh Shuli comes from the Fars region in southern Persia. Fars is an important rug-producing area with a distinctive tradition of hand-knotted work. The description also places these rugs near Shiraz. This regional connection gives the piece its Persian context and points to the relationship between landscape, craft practice, and textile design.
Gabbeh rugs from Fars are associated with the nomadic peoples of the region. Their woven and knotted works reflect stories and traditions passed down within these communities. Knotting is therefore more than a technical procedure. It also creates room for personal expression, since the design may grow from the maker’s own imagination rather than from a strictly prescribed drawing.
In Gabbeh Shuli, this freedom of expression takes precedence over the strict repetition of classical geometric ornament. Fars has produced a range of approaches to rug making, and the Gabbeh tradition is one of its recognisable forms. Gabbeh Fars, Qashqai rugs, and Shiraz rugs are also linked with the region and its rich history. They represent related fields of interest for people who value hand-knotted rugs with individual designs and a clear craft tradition.
The cultural importance of these rugs comes from the way use and inheritance meet in one object. A Gabbeh functions as a floor covering, but its design also preserves elements of the world from which it emerged. With Gabbeh Shuli, that connection is especially visible in the personal character of the pattern. The rug is consequently understood as part of Iranian culture and as an expression of regional craftsmanship.
Fars lies in southern Persia and has a long association with Shiraz and nomadic knotting communities. This origin is not merely a commercial style label. It identifies the cultural and artisanal setting of the Gabbeh. The transmission of techniques, the use of wool, and the freedom of the composition all contribute to the tradition connected with these rugs.
Design and Pattern
The pattern of this Gabbeh Shuli is described as free and imaginative. Rather than following a rigid, conventional ornament, it places the maker’s artistic freedom at the centre. The designs therefore cannot be reduced to one fixed scheme. This working method gives each individual rug its own visual identity.
Gabbeh Shuli differs from classical Persian rugs whose compositions are often organised around regularly repeated geometric structures. In this Gabbeh approach, imagination can determine the arrangement. Forms may appear deliberately individual, and the overall composition can retain the direct, spontaneous quality of a design developed by hand. The result is both a functional floor covering and a pictorial textile.
The description emphasises vivid colours and striking designs. Warm shades such as red, beige, grey, and brown are identified as commonly used colours in Gabbeh rugs. This palette can reinforce the regional and handmade character of the type, without making it a claim about the exact colour arrangement of this one rug. The essential design relationship is between colour, open-ended drawing, and hand-knotted execution.
The high knot density helps preserve detail in the pattern. Small changes in lines, areas, and colour transitions can be rendered with care. That precision is particularly relevant for a freely conceived Gabbeh, because it keeps the individual composition legible. The pattern does not simply repeat a standard template; it gains its character from the combination of technical accuracy and creative openness.
The name Shuli identifies a Gabbeh form distinguished by unusual and imaginative designs. It describes this direction within the Gabbeh tradition, not a different province of origin. The rug’s regional origin remains Fars. Related groups such as Gabbeh Fars, Qashqai, and Shiraz illustrate the variety found among hand-knotted rugs connected with this cultural area.
A Gabbeh Shuli can serve as an independent design element in several parts of a home. The living room, bedroom, and entrance area are named as possible settings. Its noticeable drawing and vivid colours give it a visible presence. That presence comes not from a uniform standard pattern, but from the individual design of each one-off piece.
Special Features
The rug is new and described as a unique example of traditional craftsmanship. Its defining combination is hand-knotting, virgin wool, and a free, imaginative pattern language. As a Gabbeh Shuli, it places individual design at the heart of its identity.
The wool is soft, warm, durable, dirt-repellent, and easy to care for. Regular vacuuming and occasional beating are sufficient for normal maintenance. Professional cleaning can be considered if heavier soiling occurs. The rug therefore combines an artistically unrestricted design with practical qualities suited to a living space.
FAQ
How should I clean my Gabbeh Shuli rug?
Regular vacuuming is suitable for everyday cleaning. The rug may also be beaten occasionally. This simple routine helps preserve the colours and the quality of the virgin wool. If heavier soiling occurs, professional rug cleaning should be considered so that the material receives appropriate treatment.
Where do Gabbeh Shuli rugs come from?
Gabbeh Shuli rugs come from the Fars region in southern Persia, near Shiraz. They are associated with nomadic peoples who bring their creativity and traditions into the design of the rugs. The origin therefore refers both to the region and to the artisanal and cultural tradition in which these pieces are made.
What makes Gabbeh Shuli rugs distinctive?
Their distinctive quality lies in artistic designs that are free from conventional pattern structures. The makers are given room to follow their imagination, giving each rug an individual character. Combined with hand-knotting, virgin wool, and detailed workmanship, this creates a separate piece of traditional craft rather than a standardised pattern product.
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