Persian Rug 241 x 170 cm Wool Hand-knotted

Persian Rug

Material and Craftsmanship

This Persian rug was hand-knotted in Iran. The pile is made from 100% wool and the warp from 100% cotton. These two materials have distinct roles in the construction: wool forms the visible pile surface, while cotton provides the supporting foundation. In a hand-knotted rug, the pile is not printed or mechanically attached to a finished ground. Individual knots are tied onto the warp and secured as the work progresses, producing a surface through a manual textile process.

Hand knotting is one of the established methods of rug making. Warp threads run lengthwise on the loom, and knots are inserted across them in successive rows. Weft threads help stabilise the construction as the work advances, while the pile is trimmed to create an even surface. The precise execution can differ according to workshop practice, knot type and the intended drawing. For this rug, the stated technique is hand-knotted; no knot count or specific knot type is supplied.

Wool has long been used for rug pile because it is a resilient natural fibre with a substantial textile feel. Its structure accepts dyes and gives a knotted surface body and flexibility. Cotton is often selected for warp threads because it can provide a consistent and stable foundation for the knots. The materials specified for this piece are 100% wool in the pile and 100% cotton in the warp. No silk or other fibre is added to the description.

Stonwash is the product name used for this rug. The piece is also identified as a vintage patchwork rug. Patchwork describes a composition formed from separate areas or visually connected sections. That design classification does not change the construction: this remains a hand-knotted rug with a wool pile and cotton warp. The term explains the arrangement and appearance of the surface, not a machine-made or flat-woven production method.

Origin and Tradition

The rug was made in Iran and is therefore a Persian rug. Persia is the historical name associated with the cultural region that is now principally identified with Iran. Iranian rug making includes a wide range of urban, village and nomadic traditions. These traditions differ in drawing, colour organisation, materials and technical practice. Persian rugs consequently cannot be reduced to one fixed appearance or one universal pattern.

The craft is based on knowledge passed through workshops, families and local weaving communities. Designs may be adapted from established drawings, but the finished result develops gradually as the weaver builds the rows on the loom. Managing the tension of the warp, placing the knots correctly and maintaining the intended proportions all require continuous attention. Hand knotting combines repeated technical operations with the step-by-step creation of an individual textile surface.

Iran has many recognised rug-producing areas. Isfahan is associated in general rug history with carefully organised city carpets and refined floral compositions. Tabriz represents a broad urban tradition that includes medallions, vines and other formal layouts. Kashan is known in rug literature for long-standing floral design traditions, while Nain is often associated with light fields and finely arranged ornament. These names identify particular regional practices and should not be assigned to every rug made in Iran.

The origin supplied for this rug is Iran. No city or province is named. Its origin is therefore described as Iranian without attributing it to Isfahan, Tabriz, Kashan, Nain, Kirman or any other specific centre. This distinction matters because a design reference and an origin are not automatically the same thing. A rug may use a visual language associated with a broad tradition without the product information identifying its place of manufacture more narrowly.

The production period is given as 1990 to 1999. The rug thus belongs to a recent period of Iranian production and is not presented as an antique or historical carpet. The word vintage functions here as part of the product’s stylistic and catalogue description. It does not replace the stated production period or establish an older date. The condition is separately given as new and perfect.

Persian rugs have traditionally been made for many types of interior and use. Smaller pieces could serve as runners or accents, while larger carpets could cover substantial floor areas in domestic or formal settings. Designs were adjusted to the available field, the workshop’s practice and the desired visual effect. In more recent production, hand knotting has continued to provide a way of combining a traditional craft process with contemporary layouts and restrained decorative ideas.

Design and Pattern

The design is described as Stonwash vintage patchwork. A patchwork layout is built from separate fields or from the visual impression of joined rug sections. Rather than depending entirely on one continuous repeat, it creates its character through the relationship between several areas. The sections may read as distinct parts while still forming one overall composition. No individual source drawing or named motif is specified for this rug.

The style is also identified as Art Deco. Art Deco is a design language associated with clear outlines, ordered surfaces, stylised ornament and geometric rhythm. In textile design, these qualities may appear through structured panels, simplified forms and a carefully balanced arrangement. The term is used here as a style reference. It does not describe this rug as an antique Art Deco object or establish a historical date beyond the production period provided.

The rug is further described as monochrome. A monochrome effect can create unity across a surface while the division into fields supplies visual movement. The patchwork structure provides the organisation, and the limited colour impression keeps the composition from depending on numerous contrasting shades. This combination can produce a restrained, graphic appearance. The description does not name the exact colour, so no particular hue is assigned to the piece.

Persian rug design has historically included many different systems of composition. Floral vines and leaves can connect sections of a field. Geometric devices can establish order, repeated motifs can create rhythm, and borders can frame an interior design. Medallions often give a composition a central focus, while open fields allow the surface to appear calmer. Herati is one example of a named pattern family in Persian rug vocabulary, but it is not attributed to this rug because it is not stated in the product information.

Patchwork differs from a conventional uninterrupted repeat because the visual identity of the carpet comes from the grouping of fields. In contemporary rug design, this approach can reorganise references to older textile surfaces into a more modular arrangement. The vintage classification may suggest an intentionally timeworn or heritage-inspired direction, but it does not make the carpet antique. For this piece, the supported design terms remain Stonwash, vintage patchwork, Art Deco and monochrome.

The resulting design description brings together a traditional Iranian construction and a more graphic surface organisation. Hand knotting determines how the textile is made, patchwork determines how the fields are arranged, Art Deco supplies the named stylistic reference, and monochrome describes the overall colour effect. These terms provide a clear account without adding an unlisted colour, ornament, symbol or regional pattern source. The design is therefore presented through its stated visual categories rather than through an invented attribution.

Special Features

The rug is offered as new without a label, and its condition is specified as new and perfect. The listed practical features are an anti-slip property, suitability for underfloor heating and easy cleaning. These points supplement the information about the hand-knotted construction, the wool pile, the cotton warp and the patchwork design. They describe intended everyday usability alongside the rug’s visual classification.

The anti-slip feature concerns placement on the floor. Suitability for underfloor heating indicates use in rooms equipped with that type of heating system. Easy to clean is the stated maintenance characteristic; it does not identify a particular cleaning agent or prescribe a fixed treatment. The source also mentions regular vacuuming and occasional professional cleaning as general Persian rug care. No additional care schedule or special chemical process is specified.

FAQ

What defines this Persian rug?

It is a hand-knotted Persian rug made in Iran, with a pile of 100% wool and a warp of 100% cotton. The design is identified as Stonwash vintage patchwork, Art Deco and monochrome. Its production period is 1990 to 1999. The rug is offered without a label, and its condition is stated as new and perfect.

How is the pattern arranged?

The pattern is described as vintage patchwork with an Art Deco style and a monochrome effect. Patchwork refers to a surface organised through separate fields or connected sections. Art Deco provides a general reference to clear, ordered and decorative design. The description does not identify an exact colour, a particular individual motif or a specific regional pattern family. Those details are therefore not added.

Which practical features are listed?

The rug is described as anti-slip, suitable for underfloor heating and easy to clean. These features relate to its use as a floor covering. General care information mentions regular vacuuming and occasional professional cleaning. No particular cleaning product or fixed cleaning interval is given. The rug is listed as new and perfect, and it is offered without a label.