Persian Rug 240 x 171 cm Wool Hand-knotted

Iranian Persian Rug

Material and Craftsmanship

This Persian rug is hand-knotted and made from 100% wool and 100% cotton. Hand knotting is one of the traditional methods used in Persian rug production. The surface is built knot by knot rather than being created by an industrial printing process or a simple woven repeat. Each knot forms part of the textile structure and contributes to the way the design is set into the rug.

Wool has long been valued in Persian rug making for its resilient character and its tactile surface. It can create a substantial pile and a distinct textile presence in a room. Cotton is also widely used in rug construction as part of the foundation that supports the knots. It provides an orderly base for the handmade structure. The material description for this rug specifies 100% wool and 100% cotton.

Hand-knotted production consists of a sequence of careful operations. A foundation is prepared first, after which the knotters place knots according to the intended design. The woven structure is progressively compacted, and the surface is worked so that the outlines and areas of the pattern become clear. In this technique, the ground, the design and the visible pile are connected through manual work instead of being separate printed layers.

The material combination explains the two different textile functions within a rug. Wool gives the surface its characteristic feel, while cotton is a fibre commonly used in the foundation of hand-knotted rugs. The source describes this rug as new without a label. That is a condition statement for the offered piece; it does not make a claim about a historical age or an antique classification.

Origin and Tradition

The rug comes from Iran and belongs to the Persian rug tradition. Persia, now Iran, is one of the historic centres of hand-knotted rug making. Across generations, Iranian weaving regions developed their own approaches to drawing, colour arrangement, knotting and finishing. Persian rug identity therefore involves more than fibre or technique. It also reflects the relationship between regional design traditions and the practical knowledge of craftspeople.

Traditional Iranian designs were transmitted through pattern drawings, established examples and workshop experience. A knotter has to follow the sequence of motifs, the proportions of fields and the repetition of lines while working across the foundation. Larger compositions are often understood as a series of manageable sections that together form a unified image. This process explains the close relationship between a planned design and the individual acts of placing and securing thousands of knots.

The regional design is identified as Tabriz. Tabriz, also written Täbriz, is an important centre of rug production in northwestern Iran. The Tabriz tradition is often associated with carefully organised compositions, precise outlines and developed ornament. Designs connected with this tradition may include a central medallion, flowing vines, floral details or ordered fields. Here, Tabriz names the regional design language. It is not used as an additional claim about a separate place of manufacture beyond the stated Iranian origin.

Iranian rug culture contains many distinct regional expressions. Gabbeh from Fars, for example, is associated with simple, broad and expressive designs. Nain is known for fine detail and is often associated with the use of silk. Kerman and other Iranian centres have developed their own ranges of motifs and layouts. These differences show that the statement “from Iran” covers a broad artistic and technical landscape. This rug is identified by its Iranian origin, its hand-knotted construction and its stated Tabriz regional design.

Persian rugs have historically been made for different kinds of interiors, including domestic rooms, reception spaces and representative settings. This encouraged a variety of layouts: some designs focus on a central field, others on borders or on a continuous repeat. Contemporary pieces can draw on those traditions while using modern style terms. In this case, the regional design Tabriz is combined with the designation Art Deco, bringing an established Iranian reference together with a twentieth-century design vocabulary.

Design and Pattern

The design is described as Art Deco with Tabriz regional design. Art Deco is commonly recognised through geometry, structured surfaces, repetition and decorative order. Its visual language can combine disciplined lines with stylised forms. In rug design, that approach may appear through symmetrical arrangements, framed sections, repeated motifs or clear contrasts between fields. The term establishes the stylistic framework here without adding unsupported claims about particular flowers, colours or medallions.

The Tabriz design tradition is associated with compositions in which the parts are carefully related to one another. A central area, border bands and secondary ornaments can be arranged so that the whole design remains balanced. Floral and geometric elements may be placed together, while lines and repeated details provide visual continuity. This regional organisation can sit comfortably beside the more geometric and formal character suggested by the Art Deco classification.

A patchwork rug is built around the idea of joining several visual sections into one overall composition. The word patchwork indicates that the design is divided into distinct areas, which may differ in ornament, shape or visual rhythm while still working together as a single surface. In a hand-knotted patchwork rug, that impression is carried by the textile construction and the arrangement of the knotted sections rather than by a merely printed imitation of separate pieces.

The Art Deco reference draws attention to proportion, rhythm and the role of outlines. Straight lines may stand beside stylised organic forms, and repeated panels may create a controlled sequence across the surface. The patchwork structure adds another level of division, allowing the eye to read the rug through its individual areas as well as through the complete composition. Tabriz supplies the regional design reference, linking this structured appearance to an Iranian rug tradition.

Persian rug patterns in general can include floral vines, medallions, geometric fields and border systems. Regional workshops may enlarge, simplify, mirror or repeat these elements in different ways. For this rug, the documented design information is Art Deco, patchwork and Tabriz regional design. More specific statements about individual motifs or an exact colour palette would go beyond the information provided and are therefore not added.

Special Features

The rug is new without a label. Its listed special features are an anti-slip finish, suitability for underfloor heating and easy cleaning. These details describe the intended practical use of the offered rug. The anti-slip feature is designed to help it remain in place on the floor. Compatibility with underfloor heating makes it suitable for rooms using that type of heating system. The easy-clean description concerns the maintenance aspect of the rug.

A hand-knotted wool rug should generally be vacuumed regularly and gently. Strong direct sunlight should be avoided where possible so that the colours remain as even as possible. Professional cleaning can be used when a deeper treatment is needed. Harsh chemicals should not be applied, as they may affect fibres or colours. The listed anti-slip feature and underfloor-heating suitability should be used together with the relevant care and heating instructions rather than treated as a replacement for them.

FAQ

What makes this Persian rug distinctive?

It combines hand-knotted construction with a material description of 100% wool and 100% cotton. The design is identified as Art Deco, patchwork and Tabriz regional design. It also has the listed practical features of anti-slip construction, suitability for underfloor heating and easy cleaning. The rug comes from Iran and is new without a label. Its character therefore comes from the combination of Persian handwork, a sectioned contemporary design and the stated functional details.

How should I care for the rug?

Vacuum the rug regularly and gently. Avoid prolonged direct sunlight where possible in order to help preserve an even colour appearance. If more thorough cleaning is required, professional rug cleaning is recommended. Harsh chemicals should be avoided because they can damage wool, cotton or coloured areas. The easy-clean description supports straightforward maintenance, but it does not remove the need for material-appropriate care. When the rug is used over underfloor heating, the instructions for the heating system and the rug’s underside should also be observed.

Where does the rug come from?

The rug comes from Iran and is described as a Persian rug. Its regional design is Tabriz. Tabriz is a historic centre of Iranian rug making and is associated with carefully structured, ornamental compositions. In this listing, Tabriz identifies the regional design language. The rug is hand-knotted, so that regional reference is combined with a traditional Iranian production method.