Persian Rug 100 x 100 cm Wool Hand-knotted

Persian Rug

Material and Craftsmanship

This Persian rug is hand-knotted with a pile made of 90% new wool and 10% silk. Its warp is made of 100% cotton. The combination brings together the distinct qualities of wool and silk in one textile surface. New wool contributes a soft, warm handle and a durable pile. It is also known for its insulating qualities, helping the rug provide a comfortable feel in both cooler and warmer rooms. Silk adds a smooth character and a distinctive sheen. It can make subtle colour variations more visible and give parts of the design a refined surface effect. The cotton warp forms the structural basis of the knotted rug. In hand-knotting, individual knots are placed one by one into the foundation, linking the materials directly with the pattern. The recorded density of approximately 300,000 knots per square metre supports detailed pattern work. Hand-knotting is a craft tradition maintained over many generations and requires patience, skill and close attention to the execution of each section. The result is a textile in which wool, silk and cotton work together within a carefully made construction.

Origin and Tradition

This rug comes from Persia, present-day Iran, a region closely associated with the history of hand-knotted carpet making. Oriental rugs from the Middle East reflect cultural and craft traditions that developed over many generations. The Persian carpet tradition includes a wide range of techniques, materials, colour systems and ornamental vocabularies. Hand-knotted Iranian rugs are commonly associated with careful workmanship, dense structures and richly organised designs. Weaving and knotting have long been more than practical activities in the region: they are forms of transmitted knowledge in which the arrangement of colour and motif carries regional and cultural meaning.

Tabriz is among the recognised centres of Persian carpet production. It is associated with elegant compositions, precise detail and vivid colour use. Isfahan is also connected with an established carpet tradition and carefully balanced ornament. These places illustrate the breadth of Persian carpet culture; they do not identify the specific place of origin of this individual rug. The important point for this piece is its Persian origin and its place within the broader Iranian tradition of hand-knotted textiles. Across that tradition, patterns can combine historical influences, local visual language and ideas taken from nature.

Many Persian designs are built through the ordered repetition of shapes. Symmetry provides a framework for the composition, while floral signs and geometric details create movement and distinction across the field. Motifs such as the tree of life are often connected with ideas of life, good fortune and prosperity in Oriental ornament. Their meanings come from cultural traditions that have been handed down over time. A rug can therefore function as a practical floor textile while also carrying a visual vocabulary of symbols. Hand-knotting preserves this relationship between making and meaning, although each individual piece has its own arrangement and surface character.

The Persian origin places this rug within an Iranian craft tradition shaped by skilled manual work. At the same time, every hand-knotted rug remains an individual work because the making process gives the surface its own character. The combination of new wool, silk, a cotton warp and dense knotting reflects an approach in which material selection and ornament are considered together. This connection between construction and design is part of the enduring identity of Persian carpets. It allows a traditional object to retain its cultural background while serving as a textile element in a contemporary home.

Design and Pattern

The pattern of this Oriental rug is described as Oriental. Oriental carpet design often brings together geometric and floral forms within a balanced composition. Geometric motifs can establish rhythm, boundaries and structure, while floral elements may recall leaves, blossoms, vines or other forms from nature. Traditional designs frequently use both approaches at once. Clear lines organise the surface, and organic shapes add variation and a wealth of detail. Repeated forms, measured symmetry and contemplative elements can give such arrangements a calm, harmonious quality.

The colour range associated with Oriental rugs may include strong reds, soft blues and earthy tones. This palette demonstrates the flexibility of the tradition rather than defining a single fixed scheme. Colours can separate motifs, emphasise outlines or guide the eye across the composition. Silk may affect the way selected shades are perceived by giving parts of the surface a subtle sheen. Wool and silk reflect light differently, so changes in illumination can make some passages appear more pronounced than others. This variation is a natural consequence of the stated material combination and contributes to the visual depth of the pattern.

Oriental compositions are often arranged so that motifs recur without appearing entirely mechanical. A symmetrical framework can create balance, while the manual process leaves the surface with the character of a textile made by hand. Tree-of-life imagery and floral ornament are part of a visual language associated with nature, good fortune and prosperity. Geometric elements may define fields, borders or visual axes. Together, these devices create a decorative system that is both formally ordered and culturally rooted.

The design can work alongside classic or modern interiors because its effect is based on the relationship between colour, line and area. No single motif needs to dominate in isolation; the overall impression develops through the interaction of repeated forms and tonal differences. The Oriental pattern provides a distinct textile presence while remaining adaptable to different room settings. It can be understood as part of a Persian-influenced carpet tradition in which established motifs have been preserved, varied and recombined through successive generations of craft practice.

Special Features

The stated features include hand-knotting, a high knot density, a pile combining new wool and silk, and a cotton warp. The rug is new and in very good condition. It is suitable for underfloor heating and is described as child- and pet-friendly. Its dense construction supports the detailed appearance of the Oriental pattern and contributes to a robust, durable textile structure. The materials are described as easy to care for. Regular cleaning is recommended, while strong direct sunlight should be avoided in order to help preserve the colours and the quality of the rug.

FAQ

How should I care for this Persian rug?

Vacuum the rug regularly to remove dust and loose dirt before they become embedded in the pile. Regular professional cleaning is recommended for long-term care. Strong direct sunlight should be avoided because prolonged exposure can fade colours. Cleaning should be carried out gently and appropriately for a pile made from new wool and silk. These measures help maintain the material quality and the appearance of the hand-knotted surface over time.

Where does this Persian rug come from?

This Persian rug comes from Persia, present-day Iran. Iran is known for its long tradition of hand-knotted carpets and for the variety of its regional patterns and craft methods. Persian carpet culture includes many production centres and design traditions. Tabriz and Isfahan, for example, are associated with important histories of carpet making. Those names describe the wider tradition and are not stated as the specific place of origin of this individual rug.

What makes hand-knotted rugs distinctive?

In a hand-knotted rug, individual knots are inserted by hand into the textile foundation. This process requires time, practical skill and careful execution. The high knot density of this rug supports detailed pattern definition and a sturdy construction. Since each piece is made manually, every rug is an individual work. Here, traditional technique, new wool, silk and Oriental ornament come together in a textile that combines everyday use with the long-established craft of Persian carpet making.