Oriental Rug Turkey 178 x 232 cm Wool Hand-knotted

 1296

Hand-knotted Turkey Oriental rug | Material: wool and cotton | Size: 178 x 232 cm | Pattern: Oriental with floral elements | Condition: New without label | Weave: Flatweave

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SKU: 8D0D6763 Categories: ,

Inventory number: 8D0D6763

Description

Turkey Oriental Rug

Material and Craftsmanship

This Oriental rug is described in the product information as being made from genuine wool and cotton. The fuller description also identifies the material as 100% high-quality wool. These two statements are part of the product text and are therefore kept distinct here. One material entry names wool and cotton, while another describes the rug exclusively as wool with a 100% content.

The pile is listed as high pile, indicating a visibly raised surface. The item title and the detailed description call the rug hand-knotted. The product information also lists the weave as flatweave. These terms appear together in the supplied details: hand-knotted refers to the stated making technique, while flatweave is the separately stated weave designation.

In carpet terminology, a hand-knotted rug is generally formed by securing individual knots to the warp and then stabilising them with weft threads. A flatweave, by contrast, is built through the interlacing of warp and weft without a raised knotted pile in the usual technical sense. Since both descriptions are present for this individual item, the product wording is reproduced transparently rather than replaced by an assumption. The supplied terms are hand-knotted, high pile and flatweave.

The detailed text also describes the rug as easy to care for and suitable for everyday use as well as special occasions. The wool is described as breathable and pleasant to the touch. An exceptional knot density is mentioned in the long source text, but no numerical density is supplied. No figure is therefore added here.

Origin and Tradition

The stated origin is Turkey. In the classification used for this catalogue, that makes the rug an Oriental rug rather than a Persian rug. Turkey identifies the stated origin, while oriental, modern and floral describe the design language. A pattern reference or general style term does not change the origin given for the piece.

Turkish carpet culture belongs to the long-established weaving and knotting traditions of Anatolia. Over many centuries, different local forms developed in response to landscape, available fibres, dyeing practices and the work of individual communities. Turkish rugs may include densely ornamented compositions as well as restrained contemporary designs. The tradition is therefore not a single visual formula, but a broad group of regional and historical approaches.

In Anatolian carpet making, motifs were often passed down and adapted to changing tastes. Geometric borders, stylised flowers, leaves, vines and repeated central arrangements are among the forms frequently found in Oriental carpet design. Their treatment varies from one region and workshop to another. A modern rug can draw on this vocabulary while remaining a contemporary interpretation rather than a historical or precisely regional pattern.

Traditional carpet production links yarn selection with the construction of the textile surface. Wool is commonly used for pile in many carpet traditions because it can create a structured, tactile surface. Cotton may also occur as a textile component. The role of a particular fibre in one individual rug should only be specified when the product information states it directly. Here, wool and cotton are named, but the cotton is not assigned to a particular warp or weft function.

The detailed source text calls the item a Persian rug in one passage and connects it with Iranian carpet-making. That wording conflicts with the expressly stated origin of Turkey. The concrete origin for this rug is therefore Turkey. Turkish and Iranian traditions can both be discussed within the wider history of Oriental carpets, but they have distinct regional developments and should not be treated as interchangeable origins.

The history of Oriental carpets includes both practical household textiles and decorative works of textile art. Rugs have served as floor coverings, furnishings and carriers of repeated visual traditions. Contemporary designs often simplify, enlarge or rearrange inherited ornamental ideas. This piece brings together the stated Turkish origin and a modern design. No more specific province, town or workshop attribution is provided.

Hand production is significant in the history of Oriental rugs because it allows a design to be built through repeated individual actions rather than through a single industrial surface. At the same time, the words hand-knotted and flatweave describe different technical concepts in standard terminology. The catalogue details retain both descriptions for this rug, without assigning a further construction method that is not stated.

Design and Pattern

The rug has a beige ground colour. The product description identifies an Oriental pattern with floral elements. The detailed text adds that geometric patterns are combined with floral accents. Two design levels are therefore named: an ordered framework of geometric forms and decorative references to flowers or plants. Together they place the rug within a modern Oriental design vocabulary.

Floral motifs are among the most widespread forms in Oriental carpet design. Flowers, leaves, vines and stylised plant shapes may appear as isolated accents, repeated units or parts of a larger composition. They do not have to imitate plants realistically. In woven and knotted textiles, botanical forms are often rhythmically repeated, balanced across the field or integrated into geometric organisation.

Geometric patterns create visual order through lines, angles, panels and repetition. Floral details introduce a softer decorative counterpoint to that order. Modern designs frequently reduce traditional ornaments, enlarge selected elements or place them against calmer fields of colour. This allows a rug to retain an Oriental reference while using a contemporary arrangement rather than following a historical pattern exactly.

Beige is often used in interiors as a neutral base. As a ground colour, it can be combined with light, dark or more strongly coloured furnishings. The product text presents the colour choice as versatile and easy to coordinate. The geometric and floral details add visual definition, while the beige field provides continuity across the composition.

The style is explicitly described as modern. In a rug of this kind, modern does not necessarily mean that all traditional influence has been removed. It can refer to the contemporary treatment of ornaments, a simplified layout or the combination of different visual languages. The source description accordingly places traditional craftsmanship alongside modern design.

The fuller description characterises the design as tasteful and timeless. That assessment is connected to the combination of beige, geometric forms and floral accents. No specific border construction, medallion, named school or regional pattern is supplied. The design is therefore described as Oriental with floral elements and geometric accents, without attaching an unprovided provincial or stylistic attribution.

Pattern effect depends not only on individual symbols but also on their scale, spacing and relationship. Repetition can create a calm field, while varied shapes guide the eye across the textile. A high pile can also affect how light falls on the surface and how the design is perceived. This is a general observation about carpet design; no additional specific arrangement is claimed for this individual rug.

The contrast between a neutral beige ground and more defined ornamental forms supports the modern character stated in the product information. Floral accents can make the composition appear more decorative, while geometric structures provide visual discipline. The supplied description does not identify a particular colour palette beyond beige, nor does it name the exact colours of the individual motifs. No such details are added.

Special Features

The rug is described as modern and beige. Its condition is listed as new without a label. It is also expressly marked as suitable for use over underfloor heating. This is a stated product feature and is separate from the general description of its materials.

The text highlights the high pile, easy care and pleasant feel of the wool. It presents the rug as suitable for everyday use, special occasions, families and public spaces. It also names a living room, sleeping area and stylish office as suitable settings. These uses repeat the applications given in the product description.

No exact knot-density figure or specific durability period is provided. The source mentions an exceptional knot density and says that hand-knotted construction contributes to longevity, but it does not give a number or guarantee a particular service life for this piece. Neither a density value nor a promised lifespan is therefore added.

FAQ

How should I clean a hand-knotted Oriental rug?

Regular vacuuming is recommended for routine care. When necessary, the surface can be cleaned with a damp cloth. Persistent stains should be handled by a professional carpet cleaner. Because the rug is described as high pile, careful cleaning helps protect the surface. The product description calls it easy to care for, but that does not replace professional treatment when a difficult stain requires specialised handling.

Is this rug suitable for underfloor heating?

Yes. The product information expressly states that the rug is suitable for use over underfloor heating. The detailed description adds that wool has an insulating effect and can contribute to a comfortable floor climate in both winter and summer. The installation instructions and technical requirements of the particular heating system should still be followed.

How long does a hand-knotted rug last?

The source description says that a high-quality hand-knotted Persian rug can last for several decades with proper care. It identifies knot density and materials as important factors in longevity. It does not, however, promise a specific lifespan for this individual rug. The accurate conclusion is therefore that the text presents several decades as a general possibility for high-quality hand-knotted rugs when they are well maintained.

Additional information
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