Oriental Rug Tabriz 140×70 cm Cashmere Hand-knotted

Tabriz Oriental Rug

Material and Craftsmanship

This hand-knotted Oriental rug is described as a classic cashmere silk rug. Its material specification names wool and cashmere. Those materials form the basis of the rug’s tactile character and accompany the finely worked appearance of the surface. The pile is presented in a lightly violet rose tone, enclosed by a dark blue border. The relationship between the material description and the restrained colour arrangement gives the piece its particular visual character.

The rug is hand-knotted and has a very fine knot density. Hand-knotting builds the design knot by knot rather than applying a pattern to a finished surface. A fine knot structure allows the pattern to be worked with considerable detail and supports the clear definition of small ornamental forms. This rug has a pile height of 1 cm and a rectangular shape.

The description associates the cashmere silk with softness, durability and a distinctive sheen. These qualities are presented together with the traditional design and the careful hand-knotted workmanship. The rug is new with its label. It is also described as suitable for rooms with underfloor heating, provided that the temperature is not set excessively high.

Origin and Tradition

The rug originates from India. Tabriz Mahi is therefore a design designation rather than a statement that this individual rug was made in Tabriz. Tabriz is one of the best-known centres of Persian carpet design, and its name is associated with finely drawn classical compositions, varied ornament and strong colour relationships. Here, that design language appears in an Oriental rug made in India.

Tabriz is the capital of East Azerbaijan province in north-western Iran. The city has a long carpet-making history reaching back to the thirteenth century. Tabriz carpets are known for a broad vocabulary of patterns, precise drawing and carefully organised fields and borders. Their designs may include floral ornament, repeated vines, medallion arrangements and references to historical or cultural forms.

The weaving tradition of Tabriz is closely connected with the cultural identity of the region. Designers and weavers have drawn on the local flora and fauna as well as on architecture, older decorative traditions and established Persian pattern systems. A Tabriz composition is often understood through the balance between its field, border structure and the small motifs that connect one part of the design to another. This ordered approach helps explain why Tabriz patterns are used as references in rugs produced elsewhere.

Indian rug production has adopted and interpreted many Persian design traditions. That does not change the country of origin of this rug. It remains an Indian Oriental rug with a Tabriz Mahi design. Keeping the two terms separate gives a precise description: India identifies where the rug was made, while Tabriz Mahi identifies the pattern tradition used for its design. The title reflects that visual and stylistic reference without assigning the rug an Iranian origin.

Mahi is a familiar term in Persian carpet vocabulary. It is commonly associated with fish-like motifs arranged in a repeating pattern. Such motifs can suggest movement through their continuation across the field and are often connected with ideas of nature, balance and harmony. In a woven design, the repeated units are organised so that the eye can follow the ornament across the surface rather than seeing isolated symbols only.

Design and Pattern

This Tabriz Mahi rug has a classic, traditional design. Its principal colour is a lightly violet rose, while the dark blue border creates a defined outer frame. The rose tone is softened by its violet cast, and the dark blue introduces depth and contrast. Together, these colours establish a composed palette rather than a strongly varied one.

The Mahi pattern is identified through fish-like ornamental forms. In the wider tradition, these motifs may be repeated and interlaced to produce a flowing all-over arrangement. The name refers to the design vocabulary, not to the rug’s place of manufacture. Tabriz-related compositions often use small, carefully distributed elements, allowing the surface to appear richly structured while remaining balanced.

The border is an important part of a classical rug design. It separates the central field from the edge and gives the composition a clear architectural order. On this rug, the dark blue border stands against the violet rose field and makes the transition between the inner pattern and the outside edge easy to read. It also reinforces the traditional character of the Tabriz reference.

The colour combination gives the rug a versatile interior presence. Violet rose supplies a soft and decorative foundation, while dark blue provides a firm accent. The traditional pattern can work with furnishings that follow a classical vocabulary, but it can also serve as a contrasting ornamental element in a more contemporary room. This versatility comes from the relationship between the familiar pattern structure and the carefully limited palette.

The very fine knot density contributes to the presentation of the design. A fine construction supports the rendering of smaller motifs and more closely defined transitions. It also reflects the amount of detailed handwork associated with the rug. The pattern and the technique are therefore closely linked: the hand-knotted construction gives the Mahi design its crafted surface, while the fine knotting supports the precise, classical impression.

Special Features

The listed special features include the very fine knot density, the hand-knotted construction and the cashmere silk description. The material information also names wool and cashmere, while the long description refers to softness, durability and a particular sheen. The rug is new with its label. Its colour scheme is lightly violet rose with a dark blue border, and its design is the traditional Tabriz Mahi pattern.

The rug is suitable for underfloor heating, with the temperature kept at a moderate level. Its rectangular format and classical design allow it to be used in living rooms, dining areas or hallways. The pattern and colour arrangement can be combined with traditional furnishings or used as an ornamental accent in a more modern interior.

FAQ

How should I care for the Tabriz Oriental rug?

Regular vacuuming on a low setting is recommended to remove dust and loose dirt. Professional cleaning by a specialist can help extend the rug’s service life. Direct sunlight should be avoided because prolonged exposure can cause the colours to fade. Care should be especially considerate of the hand-knotted construction and the listed wool and cashmere material, also described as cashmere silk. When arranging professional cleaning, provide the cleaner with these material details so the appropriate method can be selected.

Is the rug suitable for underfloor heating?

Yes. The hand-knotted Tabriz Oriental rug is described as generally suitable for rooms with underfloor heating. The heating temperature should not be set too high. Moderate, controlled warmth is the appropriate approach when using the rug over a heated floor. The other care recommendations remain relevant as well: vacuum at a low setting, protect the colours from direct sunlight and arrange professional cleaning when a more thorough treatment is needed.

Where can I use the rug?

The rectangular rug is suitable for living rooms, dining areas or hallways as a decorative element. Its traditional Tabriz Mahi design combines a lightly violet rose field with a dark blue border, making it adaptable to different furnishing schemes. It can complement a traditional interior or introduce a clearly defined Oriental pattern into a contemporary setting. Because it is described as suitable for underfloor heating, it can also be considered for rooms equipped with that type of heating system.