Oriental Rug 397 x 74 cm Wool Hand-knotted

 790

Hand-knotted Oriental rug | Material: 100% cotton and 100% wool | Size: 397 x 74 cm | Pattern: Plain, brown, contemporary | Condition: New without tag | Origin: India

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Description

Oriental Rug

Material and Craftsmanship

This Oriental rug is hand-knotted and made from 100% cotton and 100% wool. Its construction is created by working individual knots into a prepared textile foundation. This traditional process gives the rug a handmade surface and structure rather than the uniform appearance associated with industrial production. Each completed row contributes to a firm textile piece whose character comes from the interaction of the fibres and the knotting work.

Wool is widely used in hand-knotted rugs because it can form a resilient and comfortable surface. Cotton may serve as a supporting part of the rug structure. For this particular rug, cotton and wool are stated as the materials, but the source does not assign each fibre specifically to pile or warp. The material information therefore remains the combination of 100% cotton and 100% wool. The hand-knotted technique is clearly specified.

The rug has a rectangular shape and is made as a runner. Its plain design allows the surface and the texture of the handwork to remain visible without a dense decorative repeat. The rug is described as new without a tag. It also has an anti-slip feature and is suitable for use with underfloor heating, adding practical information to its handmade construction and natural-fibre composition.

Origin and Tradition

This rug was made in India. It is therefore an Indian Oriental rug, not a Persian rug. The term Oriental rug refers here to the broader tradition of hand-crafted rugs and does not claim an origin in Iran. Country of manufacture is an important part of a rug description, since techniques, materials and design practices have developed differently in the many regions that produce hand-knotted textiles.

India has a substantial tradition of carpet making. In several parts of the country, rugs are produced by hand using methods that connect established knotting practices with current designs. The process involves a warp, successive rows of knots and supporting weft work. As the knotting progresses, the surface develops gradually into a durable textile plane. This requires repeated manual movements, attention to tension and careful control of the emerging surface or design.

Across the Orient, hand-knotted rugs have served both practical and decorative purposes. Some traditional rugs carry regional symbols, floral compositions, geometric structures or central medallions. Other rugs use a restrained palette and a nearly unbroken field. Contemporary Indian production includes both approaches, allowing traditional workmanship to support modern interiors as well as more conventional decorative schemes. This rug belongs to the modern, plain-coloured side of that spectrum.

The history of Oriental rugs is not defined by one single pattern. It includes highly detailed compositions, simplified motifs and designs with little or no ornament. What unites these different expressions is the textile process in which the surface is built knot by knot rather than printed onto a finished ground. The present rug combines that hand-made foundation with a contemporary plain brown design. No regional province or named pattern family is specified for it.

Design and Pattern

The design is plain and brown. There is no stated medallion, floral border, repeated motif or geometric field. Instead, the rug presents a continuous colour area in which the tone, the wool surface and the subtle character of hand knotting become the main visual elements. Its style is described as contemporary, placing the traditional technique within a restrained modern design language.

Plain rugs create a different visual effect from densely patterned Oriental rugs. With fewer lines and motifs competing for attention, the direction of the fibres and the way the surface catches light can become more apparent. Small variations created during hand work may also be easier to notice across an unbroken field. The brown colour provides a quiet base that can sit alongside wood, leather, metal and other textiles without prescribing a particular interior style.

Traditional Oriental rug designs often use colour and ornament to communicate craft traditions and regional identities. Floral scrolls, stylised plants, diamonds, stars, medallions and border systems are among the many elements found in different weaving cultures. Modern designs may retain, simplify or remove these devices. In this case, the supplied description identifies a plain brown surface rather than a named motif or decorative pattern.

The runner format reinforces the rug’s elongated appearance. Runners are commonly used in hallways, passageways and other areas where a long, narrow textile helps connect different parts of a room or home. They can also be used beside furniture or in other suitable floor areas. Here, the visual effect comes from the combination of the rectangular runner shape, the unbroken brown colour and the hand-knotted texture rather than from a complex ornament.

Special Features

The rug was made in India and is new without a tag. It is rectangular, designed as a runner and finished in brown. The listed special features are an anti-slip property and suitability for underfloor heating. These details complement the stated hand-knotted construction and the use of 100% cotton and 100% wool.

An anti-slip feature can be useful for a long rug in everyday floor use because it supports more stable placement. When using any rug over underfloor heating, the instructions for the heating system and the recommended conditions for floor coverings should be observed. Suitability for underfloor heating is expressly stated for this rug. No further technical values or specific care instructions are provided.

FAQ

How should I care for a hand-knotted Oriental rug?

Regular, gentle vacuuming helps remove dust and loose particles before they become embedded in the surface. A rotating brush should only be used if it is appropriate for the rug’s construction. If liquid is spilled, it is best to absorb it promptly with a clean, absorbent cloth rather than rubbing the area vigorously. More substantial soiling should be handled by a professional rug cleaner familiar with hand-knotted textiles. Strong, prolonged sunlight can alter colours over time, so balanced placement and occasional repositioning can help reduce uneven exposure.

Does this rug work with a modern interior?

Yes. Its contemporary style and plain brown design suit rooms built around clear forms and a reduced palette. Because the description does not specify a dense ornament or contrasting repeat, the rug can accompany modern furniture without competing with it. At the same time, the hand-knotted surface contributes a tactile textile element to otherwise simple materials. Brown can be combined with neutral shades, timber, natural colours and darker accents, allowing the rug to support different modern room schemes.

Where was this rug made?

This rug was made in India, so it should be described as an Oriental rug. Its country of manufacture should not be changed to Iran simply because hand-knotted rugs from different countries may share broad techniques or design references. The specific information for this piece identifies India, hand knotting, 100% cotton and 100% wool, a plain brown contemporary design, a rectangular runner shape and suitability for underfloor heating.

Additional information
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